SOULFLY brings "ENSLAVED" to Baltimore

MONDAY, APRIL 30
Soulfly and Incite at the Ottobar
Max Cavalera is back on the road again with a new Soulfly record, bringing his tribal Brazilian death metal to the Ottobar this April. “Enslaved” is the band’s eighth studio release and features new recruits Tony Campos from Prong, Ministry, and Static-X on bass and Borknagar drummer David Kinkade. Cavalera was a founding member of Brazil’s Sepultura and wrote the groundbreaking albums “Arise,” “Chaos A.D.,” and “Roots,” before a bitter split with the band in 1997. He went on to form Soulfly that same year and continued to explore new territories musically. In recent times, he has collaborated with his brother and former Sepultura bandmate Iggor with the Cavalera Conspiracy, and has been a driving force in his son Richie’s metal band, Incite, who have just hit the studio to work on their second album with producer Logan Mader from Machine Head. The new Soulfly record, “Enslaved,” celebrates the band’s 15th anniversary and deals with themes of slavery, with songs like “Chains,” “Legions,” and “World Scum .” Respected metal and hardcore producer Chris “Zeuss” Harris took the helm on this newest collection of bone-crunching madness and it features appearances by Dez Fafara of Coal Chamber and DevilDriver and Cattle Decapitation vocalist Travis Ryan, as well as help from his sons Zion, Igor, and Ritchie. The Cavalera family run across North America winds to an end in Baltimore and joining the guys on this night of mayhem is Lody King.
Starts at 7 p.m. $20. - Jason Walsh
Ottobar: 2549 N. Howard St. Baltimore, MD; 410-662-0069; www.theottobar.com

BIOHAZARD: REBORN IN DEFIANCE

BIOHAZARD: REBORN IN DEFIANCE
by Jason Walsh
An interview with Billy Graziadei

The guys in BIOHAZARD have already had a busy year. It kicked off with the Persistance Tour in Europe with SUICIDAL TENDENCIES, TERROR, and WALLS OF JERICHO, followed by a U.S. run alongside MADBALL and SWORN ENEMY, and then a jump across the globe to Australia for dates with HATEBREED, RAISED FIST, and CRO-MAGS. And they are only warming up…

This is in support of their long-awaited new record, “Reborn In Defiance,” which dropped on January 20 on Nuclear Blast Records. It was the first collaboration to feature all the original core members since 1994’s “State of the World Address,” which was the last record with founding guitarist Bobby Hambel. Hambel along with vocalist/bassist Evan Seinfeld, vocalist/guitarist Billy Graziadei, and drummer Danny Schuler, reunited in 2008 and hit the world running, touring relentlessly for the next few years, and in the process wrote the material for this newest offering. Things were looking good and the planets seemed to be aligned for the guys from Brooklyn, however the unexpected happened when the recording of the new album was completed. Seinfeld chose to leave the band and the four who were “Down For Life” were now three.

BIOHAZARD brought in their former guitarist and longtime friend Scott Roberts to fill in Seinfeld’s bass and vocal duties. With the album out and tours set in motion, Roberts has made a perfect fit and has kept the BIOHAZARD machine rolling.

BIOHAZARD formed in 1987 and made their worldwide impact with the 1992 record “Urban Discipline,” from which videos of “Punishment” and “Shades of Grey” gave punk, metal, and hiphop fans alike a glimpse of the newest tattooed hooligans from the New York underground. Now twenty years later, the Hazard is back and showing no signs of slowing down, no matter what obstacles stand in their way. I had a chance to catch up with Billy Graziadei to talk about the new record and the future of BIOHAZARD, as well as his experience on the road with the guys from BLOOD FOR BLOOD.

How are you doing, Billy? How are things going?

GRAZIADEI: It’s going great. Awesome. How are you, man?

Not too bad. So, let’s talk about the new record. What made you guys decide that this was something that you wanted to do now?

GRAZIADEI: (laughs) You know in our world, and I don’t know how it is in other people’s worlds, my music career has been probably the most unplanned adventure I ever dreamed of. It’s fucked up, but you know we haven’t really made plans in our career. You know as a kid I guess we always went for whatever because who knows if they are going to be around tomorrow. When you get a little older and you have more responsibility, kind of the last thing you want to do is to leave this Earth tomorrow without planning ahead, having shit taken care of. We got back together, it was a reunion…we went our separate ways and I think having time away from each other, and I had another band called SUICIDE CITY, and we all did different things. But I think the time away from each other brought us to a different level obviously as people because we grew up a lot as musicians and artists. The thing that mattered to us, you know, when we split up and during the majority part of our successful career didn’t really matter to us anymore. We didn’t really give a fuck about the things that seemed to drive in between us and wins their way into our friendship and shit. So it was kind of like it almost came full circle. When we started out we didn’t know anything about the music industry and we could give a fuck about it, pardon my French, but it was like, you know, it was just four dudes that found that we were more productive as people…couldn’t give a shit about getting high and smoking angel dust and doing stupid shit, you know, on the corners of Brooklyn that we hung out at. Coming full circle, I guess the reunion was kind of like…for a long time I thought I was the last lever and wrongfully so. You know, when we split up I realized “holy shit,” I couldn’t put food on my table anymore. It’s not going to pay my rent and I tried other ways to survive and make a living. Now I realized, especially these days, you can’t rely on the music industry and your music to make a living off of, so we do it for the love of it, like we did when we started. To not have the pressure of paying my car payment or your grocery bill on my shoulders off of BIOHAZARD makes it way more fun and enjoyable and it’s more real in a way because I really think it came full circle. Back then when we started we really didn’t know any better. Now we know better but we realize, “well, ok, this is what matters.” We do it because we like to do it, not because we have to do it.

I like that. Because when you guys started, you did this because you loved it, and then it became, you know, kind of a job, and like you said you were depending on it to survive, to live. When it ended you realized, it’s not the most important thing. So going back to it, returning to it, it seems like you are returning to it for all the right reasons, not because you had to pay bills. It’s because you believed in the music that you guys were doing.

GRAZIADEI: You know, I don’t know if you know much about my band SUICIDE CITY. I was in this band called SUICIDE CITY, and living in a van, we toured with everyone from GWAR to MINDLESS SELF INDULGENCE, DANZIG, TAKING BACK SUNDAY, all over the States like five or six times, in a van, lugging our own gear, like it was in the beginning of BIOHAZARD. We don’t put ourselves out there and do what we do and go through what we do for the money. The money, especially starting out, is far and in between. You’re not able to pay your bills for a long time starting out. We didn’t go back into it for the money. If we did, going back to the question, as far as planning and stuff, it would have been a better move for us to release a record before we got back together, or at least something. But it wasn’t about that for us. I think for me, and a lot of people have kind of misunderstood what I’ve meant, but it gave us a chance to kind of rewrite history in a way. People, I think, their last impression of BIOHAZARD was here and there from the late 90s. The original BIOHAZARD, the impact that we had was strong and I think that it was something that was awesome to me, and when we kind of fizzled away in our relationships and friendships and different members, something was missing and never the same. It wasn’t until we really split up and I ventured off putting my attention into other projects and other things, that I realized what I wanted, and what that was, was having the four guys back together again. Once that was gone, it was like a three-legged dog, you know what I mean? We had great moments and I’m proud of a lot of moments in albums in songs, but there was something that was always missing and I was never able to put my finger on it until it was over, and the possibility of us getting together then was like, it was done. Creatively I had already moved on. I had formed relationships and friendships, you know, and creative relationships with other musicians and I wasn’t into it. Then I got a call that Evan and Bobby had dinner one night in Manhattan, and at first I was like, “no fucking way...this is unbelievable, there’s no way this going to happen.” There’s no way those two dudes could sit in the same room together, let alone having dinner together in Manhattan. But I called, Bobby and it was true, it happened, and then that was the catalyst that got us back together and we all started talking and hanging out and that was, to me, the point when were able to rewrite history. We went out there and played with the same passion that we did when we started and playing all the songs that we wrote together when we started. This is what BIOHAZARD is. You can listen to the rumors, you can listen to what your big brother says, you can listen to the magazines and the websites or the hype machine at the record labels and all that crap, but this is the real deal and that was the most important thing for us. Through that and because of that, shit worked. I didn’t think we’d last two days let alone two months, but you know, two years and three years went by and then during that time we were sharing musical ideas back and forth, jamming shit, and started jamming some new songs live. Everything was natural and it was kind of like, “if it ain’t broke, don’t fix it.” So, we let shit go and we ended up with a record and then once again, like I said (laughs), you know Evan split right after we finished the record and quit. So we got tossed another curve ball but that’s always been BIOHAZARD. We’ve always been dealt like a crazy fucking hand with our backs against the wall. I kind of prefer being the underdog…the fight of the underdog. We got all the odds stacked against them from winning the fight and it puts us in a better position. So, we’re psyched for the tour and then writing up a lot for a new record, which is kind of something we did back in the earlier days. You know, by the time the record came out, we already had four or five new songs and so that’s where we are right now and we’re psyched to be where we are. No complaints.

Now when you guys got back together, the four of you guys, the core lineup, you know how much fun was that and how cool was that to be back together and doing what you were doing?

GRAZIADEI: It was awesome, you know. We went around the world a couple times, went places we’d never been before, and made a lot of friends. Saw a lot of old friends and made a lot of new friends. It was great. It was great to do it together as the four of us. Like I said, it wasn’t until we split up that I realized, “Wow,” that was the one thing we didn’t achieve, you know, was getting back together and having that original chemical combination of the four of us together again. Like I said, once we split up it was kind of too late. Having that back together again on stage…it’s this weird thing. BIOHAZARD can’t be a well rehearsed, well-polished machine that has computerized-synched light show and pyrotechnics. You know, and as a fan of KISS before I got into punk rock, that’d be awesome, but what’s special about BIOHAZARD is that kind of like the unknown. You never know what’s going to happen and when it’s going to happen. It’s just this organized chaos that is no other than BIOHAZARD to me. That’s what makes every show unique and I’m certainly proud to be a part of, you know.

So I’ve got to ask. Why did Evan leave? Was he just not into it anymore or did he have other things going on?

GRAZIADEI: There was some really heavy personal stuff in his life and it was his choice to quit I guess, to our surprise. But out of respect for him, and I’ve heard he’s mentioned things and whatever, but our choice is to let that be private for him and it’s his private issue. If it were me, I’d prefer him to give me that same respect. It’s an issue that’s personal to him.

I understand. So where do you go from here? You’re back to three now, and it’s a different three this time. Are you guys looking for somebody?

GRAZIADEI: We had our friend Scott who was the last guitar player for BIOHAZARD when we spilt up in 2003 or 2004. He took over bass duties and covered the vocals that I couldn’t and can’t cover and that’s where we are right now. We did venture off into looking for someone else but we took Scott to China, we did some European shows and England shows. They were all great. We’re really psyched and it rocks as is, so we don’t have any official, you know, press release that’s like, “here’s the new guy.” There won’t be any kind of hype around the unveiling of this dude out of the bowels of Brooklyn, but we’re BIOHAZARD and I’m not going to take the band out on tour, none us will for that matter, I’m not going to stand on stage with a version of BIOHAZARD that I don’t think kicks ass. I’d rather go out and put together some friends of mine in a cover band than to kind of not pay respect to the history of BIOHAZARD in that way. Is it different? Yeah, it’s different but the soul of the band is there and between the shows and the performances, everyone wants it so. If we didn’t think it was going to be cool, we would have thrown in the towel.

So Scott’s going to be continuing on with you guys?

GRAZIADEI: Scott’s with us. He’s the man. He’s awesome.

He’s in there.

GRAZIADEI: He’s in there, yeah (laughs).

Now the new record is called “Reborn In Defiance.” Tell me about this record.

GRAZIADEI: (laughs) Well, if you sit tight, you’re probably going to get the whole record for free because it’s a different era, you know. It used to be like, record companies were so paranoid about things getting leaked. Now you kind of leak, I find everyone involved with us, you know they’re like, “why don’t you give this song away,” and we’re like “ok.” We did our part. The business behind it isn’t really our concern. We’re just proud of the music that we wrote and the songs that we wrote together. The difference I think for “Reborn” versus some of our latter records of our career versus some of the earlier records of our career is, this record we went in and didn’t really give a fuck about anything other than each song we were writing on and our producer Toby Wright was spot-on on keeping us focused on that alone. From the label to management, you know, “you were supposed to have done this record last month” and it was like “who gives a fuck?” When we’re done with this song, we’re going to move on to the next song, but not until we’re 100% satisfied with what we’re working on. To me, I said all along, if you make a great group of songs that becomes a CD that you call “Reborn in Defiance,” nobody is going to sit back and go “wow, this is a great record but it would have been much better if it was out in September.” So for us, it took longer and one of the reasons was that we played all these songs live, like we would go out and come home for a couple of weeks and work in the studio and jam on some new songs, and then we’d go out and try them live and change them. You know, “I felt better this way, let’s try dropping this tempo there, let’s pick up this part at half time, or I don’t like the way this was, let’s try this.” So the next time, we would try something different and that was something we did with songs like “Punishment” and “Urban Discipline,” “What Makes Us Tick.” So many of our earlier songs in our career and the songs kind of grow into their own kind of thing and on this record we did that. Another reason we wrote this record while we still touring as a reunion tour. That played a big hand in having that live sound on this record that we lacked. Before we split up, we were going to the studio, write songs, record them, and then we’d start jamming them and playing them and I think because of that those songs are different. “Reborn in Defiance,” to me, is a great bookmark, you know, it’s all of our records, but that live energy is there with that earlier music that I love and missed for a long time.

Now I read Danny said, “This is one of the best albums the band has ever done and right now just going to see what the future holds.” So right now, 2012, what does the future hold for BIOHAZARD?

GRAZIADEI: Well if we make it through the first few months, we’ll be on tour, so pretty much 2012 is cut out for touring and I’m psyched to be back on the road to play. As far as it being the best record, we definitely worked the hardest and put more effort into this record than we put in a lot of our records over the years. It’s hard to remember where our heads were working on “Mata Leao.” At the time it was everything we had and all of our focus went into that record but it definitely felt like we put more effort into this than anything else going on in our life at that moment. And whether or not anyone likes it or not, I’m proud of it and I’m psyched about it and I’ve always had the stance of “if no one likes it, I don’t give a fuck, I like it,” and that’s all that matters. That stance is always how I’ve raised the flag for me in BIOHAZARD. It’s stood the test of time and there are very few moments that I’m not proud of in our career and this is definitely one of the highest flags in my flagpole in front of my house. Now, it’s the touring cycle and we go on and have a chance to play with bands that we love from SUICIDAL TENDENCIES to MADBALL to SLIPKNOT and HATEBREED. There’s just so many great opportunities in 2012 we’re going to unfold right before everybody’s eyes.

Very cool. Now I saw a lot of your pictures from FACEBOOK where you were hitting the road with the guys from BLOOD FOR BLOOD, filling in for “White Trash” Rob. How much fun was that for you?

GRAZIADEI: It was great. We played with them when they first started and I watched them throughout their career make some fucking great music and was a fan of the band. When Rob didn’t tour anymore, they called me up and asked me if I was into it and I fucking jumped on the ship right away. I love the band. Touring with them, we spent I think maybe a good year and a half on tour, here and there. Great times, good times. I have a whole new family that I’m part of. It’s a great thing. I’m really psyched about being a member of BLOOD FOR BLOOD also.

It seemed like everything I saw and all the stuff I read was that you guys were having a great time. I’m really bummed I didn’t get to see that because I’m a huge BLOOD FOR BLOOD fan. But it was very cool that you guys went out and did that. I think a lot of people appreciated that.

GRAZIADEI: Yeah, we loved it. I’ve got to hand it to them, those guys did a lot of great things, made a lot of great decisions in their career. Are you from New York?

Long story short, born in Los Angeles, raised in New Jersey, New York, Philadelphia area. My dad’s from Brooklyn, but I live in Virginia now.

GRAZIADEI: So you’re in the East Coast, even though you were born West Coast. We never really played…we didn’t do anything…We played Boston, Albany, and I think that was like the closest thing, you know. We played Connecticut like in a small club, that was a sick show, but we didn’t play New York, didn’t play Jersey, Philly. I was like “guys, what are we doing?” But we’ll hit it. But right now, my focus is on BIOHAZARD and the guys are working on a new BLOOD FOR BLOOD record. So the timing is cool, when the BIOHAZARD camp is done then I’m sure, kick back up with BLOOD FOR BLOOD.

The Celtic Sounds Run Wild This Month in DC

The Celtic Sounds Run Wild This Month in DC
by Jason Walsh

It’s that time of year when everybody is Irish, and this March during the St. Patrick’s Day season there will be many opportunities to check out some of the world’s best Celtic music in the District. Though the Shamrock Fest with headliners Dropkick Murpys leading the charge may be the biggest party this month, its not the only party.

Those beautiful sirens from Ireland kick off the festivities at the Patriot Center on Saturday, March 3. The “Celtic Woman: Believe” tour celebrates the group’s seventh studio album, “Believe,” which released in January featuring their newest vocalist Lisa Lambe, who has been involved with the group since their beginnings and just celebrated her 21st birthday this past summer. “I’m still the baby of the group,” Agnew said. “Nobody can take that away from me. But yeah, I’m finally a real Celtic Woman. I almost can’t believe it, really. It’s a little bit scary. It’s all over now.”

Joining the newcomer are veteran song stylists Chloë Agnew and Susan McFadden, who replaces the pregnant Lisa Kelly, now expecting her fourth child. “I’m so honored and excited to be joining Celtic Woman,” McFadden said. “I have followed Celtic Woman’s success over the years and I’m thrilled to have been asked to be a part of something so special.”

Rounding out the angelic harmonies is the stunning and wild pixie fiddler Máiréad Nesbitt, who brings excitement and energy to the stage everywhere they perform. For an evening of what some have called “Riverdance for the Voice,” head out to the Patriot Center for one of the most amazing performances of the music of Ireland.

That same evening the modern sounds of Gaelic Storm kick off a two-night run at the Birchmere. Formed in Santa Monica in the mid 90s out of O’Brien’s Irish Pub, where founding member Patrick Murphy was the manager, Gaelic Storm got their first big international break, performing “An Irish Party in Third Class” in the steerage room scene in James Cameron’s epic film, “Titantic.” Since then, the Storm has toured relentlessly and released eight studio albums, including the most recent, “Cabbage.” Dueling harmonies and jamming Irish instruments make this Southern California five-piece one of the most relevant acts in the Gaelic genre, and you have two chances to catch them.

Ireland’s Altan arrive March 6 from County Donegal led by vocalist Mairéad Ní Mhaonaigh, who formed the band with her now deceased husband, Frankie Kennedy, back in 1987. Performing at the Barns at Wolf Trap, Altan are out supporting their current release, “Poison Glen,” which saw the veteran Irish folk group once again challenging themselves. “As we were working on ‘Poison Glen,’ we saw how we are developing more creativity in the band, using the studio almost as another instrument,” Ní Mhaonaigh said. “We are proud of that, we are proud of this album, and we see there are more possibilities ahead for us to explore.”

Also lighting up the stage at the Barns this month are the Irish Rovers from Canada, who have been firing up pubs since 1963 with their choral renditions of Irish Drinking Songs. The Toronto based quartet have been together for almost a half century now, releasing two records last year, and fans will be able to check out their veteran chops on March 14.

Maura O’ Connell is yet another to cross the pond this March from her native Ireland for a performance at the Birchmere. This contemporary Irish folk singer blends her love of American country music with the harmonies from her homeland. She has had a prosperous career for more than three decades and fans will have a chance to enjoy her enchanting voice on March 10.

Another veteran act hitting the Kennedy Center this month are the Chieftans. The Grammy-Award-winning group from Dublin were one of the first to bring Celtic music to the attention of the mainstream music industry with their exciting traditional folk sound. Formed in 1962, the Cheiftans are celebrating their 50th anniversary with the release of “Voice of Ages,” which sees the Irish elders collaborating with some of the great young talents in modern music, such as Bon Iver, the Decemberists, and The Civil Wars. “With 50 years of glorious music behind us," founding member Paddy Moloney said, “I can think of nothing more exciting than to spend another 50 years collaborating with the best voices of the future.” The Chieftans will be at the Kennedy Center on March 16.

The “First Lady of Celtic Music” will be hosting the fun on St. Patrick’s Day at the National Geographic Auditorium. Moya Brennan got her early start with the Grammy-Award-winning Clannad, which her family formed in the 70s in County Donegal. Now the critically acclaimed songstress has taken to the road with her own outfit, the Moya Brennan Band, which sees a stage full of musicians with traditional instruments combined with Brennan’s hauntingly beautiful voice. The performance not to miss this month is on March 17.

Rounding out the month’s festivities are the Fighting Jamesons with their rocking Celtic covers and sing-a-longs, who will be at the State Theatre in Falls Church on March 16th, and in Annapolis, The Rovers and Crossing Celtic will have the roof shaking at Rams Head On Stage on the same evening. There are many opportunities to take in some of the greatest performers in the Gaelic genre this month. It’s just a matter of deciding which ones to check out. Slainte.

March 2012 Music Picks for ON TAP Magazine in DC

THURSDAY, MARCH 1
Deicide, Jungle Rot, and Abigail Williams at Jaxx
March kicks off with a night of demonic headbanging from some of the heaviest in the industry. Led by Deicide and their controversial frontman Glen Benton, the metal militia is in full force at Jaxx this month. Formed in 1987 in Tampa, Deicide was part of the late 80s/early 90s death metal movement that started with the likes of Cannibal Corpse, Obituary, and Morbid Angel. This incarnation of the band does not feature founding brothers, Brian and Eric Hoffman who left in 2004, but Jack Owen from Cannibal Corpse stepped up to handle guitar duties as well as Kevin Quirion of Order of Ennead, who joined in 2009. Deicide is on the road supporting “To Hell With God,” which finally released last February on Century Media Records after being on hold for several years. Joining Deicide on the night’s mayhem is Abigail Williams, who have been rolling through the area several times over the last couple months, as well as Jungle Rot from Wisconsin with their latest release, “Death on Command.” Providing additional support at this all-ages event is Lecherous Nocturne and Orthrus. Metal.
Starts at 6 p.m. $22 advance/$25 day of show. - Jason Walsh
Jaxx: 6355 Rolling Rd. Springfield, VA; 703-569-5940; www.jaxxroxx.com

FRIDAY, MARCH 2
Corrosion of Conformity at the Sonar
Raleigh’s classic hardcore metal trio is back on the road, celebrating their early work and roots in the movement. Corrosion of Conformity is coming to Baltimore with the original “Animosity” lineup of Woody Weatherman, Mike Dean, and Reed Mullin. Pepper Keenan, who is also a member of Down, won’t be on this run but continues to remain a member of the band. C.O.C. is out promoting their latest self-titled release, “Corrosion of Conformity,” which is their eighth studio offering and hit shelves at the end of February. Corrosion is best known for their early works, “Eye for an Eye,” “Animosity,” and “Technocracy,” and were part of the late 80s crossover movement which was most evident in their 1991 metal release, “Blind.” Joining the NC thrashers on this nostalgic return is Torche, Valient Thorr, and A Storm of Light.
Starts at 7 p.m. $20 advance/$23 day of show. - Jason Walsh
Sonar: 407 E. Saratoga St., Baltimore, MD; 410-783-7888;www.sonarbaltimore.com


SATURDAY, MARCH 3
Possessed at Jaxx
One of the most influential death metal bands from its early origins is making its way to Virginia this month. Possessed, the Bay Area outfit who rose alongside the likes of Metallica and Exodus during this crucial era in San Francisco Thrash’s history, annihilated metal fans with their first release in 1985, the widely respected “Seven Churches.” Led by sole remaining member, frontman Jeff Becerra, Possessed has had its ups and downs and significant number of lineup changes over the years. They took their longest hiatus in 1993, reforming again in 2007, and played many of the large European metal festivals over the last few years with members of Sadistic Intent. The current lineup includes Becerra alongside Pessimist guitarist Kelly McLauchlin, Nailshitter guitarist Dan Gonzalez, and Asesino bassist Tony Campos. This all-ages show at Jaxx will have special opening guests to be announced.
Starts at 6:30 p.m. $20 advance/$22 day of show. - Jason Walsh
Jaxx: 6355 Rolling Rd. Springfield, VA; 703-569-5940; www.jaxxroxx.com

TUESDAY, MARCH 6
Experience Hendrix at the Music Center at Strathmore
The music of one of the most celebrated guitarists of all time will be performed by some of the most incredible musicians in the industry this month. “Experience Hendrix” is being billed as “the concert event of the year,” celebrating the music and legacy of 60s acid rock innovator Jimi Hendrix. Headlining this all-star cast of talent is former Band of Gypsys band member and friend, Billy Cox, as well as blues legend Buddy Guy and Robby Krieger from The Doors. Also along for the ride are the Jonny Lang, Kenny Wayne Shepherd, Robert Randolph, Eric Johnson, and Cesar Rosas and David Hidalgo from Los Lobos. Rounding out this stacked lineup is Keb’ Mo’ and Dweezil Zappa, Brad Whitford from Aerosmith, Bootsy Collins, Taj Mahal, and Chris Layton from Stevie Ray Vaughan’s bands. For a night of some of the best six-string slingers playing some of the most influential guitar rock of all time, this is one show you might not want to miss.
Starts at 8 p.m. $64.95-137.80 -Jason Walsh
The Music Center at Strathmore: 5301 Tuckerman Lane, North Bethesda, MD; 301-581-5100; www.strathmore.org

WEDNESDAY, MARCH 7
Anti-Flag, The Flatliners, and The Have Nots at the Rock N Roll Hotel
Pittsburgh’s politically-charged punk heroes Anti-Flag are making another sweep across the nation, this time to support their most current album, “The General Strike.” Founding guitarist and vocalist Justin Sane said the record’s title echoes the current state of the world. “There is a General Strike of sorts taking place all over the world right now as a result of The Arab Spring and Occupy Wall Street,” he said. “We wanted to highlight the fact that these movements are interconnected. The roots of Anti-Flag go as far back as 1988 and according to Sane fans feel this newest collection of songs draws from some of their earlier efforts, but the band always strives to cover new ground when they hit the studio. “Most people think it harks back to Anti-Flag’s ‘The Terror State’ and ‘For Blood and Empire’ records. To me, it’s just another creation that we approached in the same way we approach every record, but if they see it harkening back to a certain era of Anti-Flag that is fine with me as I love both of those records. I can tell you this, it is by far
Anti-Flag’s most aggressive record, which is simply a sign a of times
we live in.” When Anti-Flag loads in to the Rock N Roll Hotel, they will have The Flatliners from Toronto and the Have Nots from Boston along for the night of chaos, which should make for an interesting lineup. “The Flat Liners flat out rock,” Sane said. “They’re an awesome band and awesome
dudes who I hope to do as much touring with as possible. We haven't
had the pleasure of rocking with the Have Nots, but I'm psyched to see
Them.” The tour kicks off in Philadelphia on March 6 and they hit DC the following night. Sane encourages locals to come out to the show and take in the experience. “When an Anti-Flag show ends, and the air clears, the feeling of unity between the people in the room is hard to describe. This is because an Anti-Flag show is a space where everyone matters. A place where everyone should have an equal opportunity to have fun and rock out,
regardless of every petty bullshit clash that people deal with in every day life. Our show is more than a rock event, it is a coming together of people. A place that people can leave feeling as if this world has a chance because the people they encounter in the room will remind them that there are still good people in this world. That’s what I'm reminded of every time I play an Anti-Flag show and that's why after all of the blood, sweat and tears I've put in, I'm still performing.”
Starts at 6 p.m. $15. - Jason Walsh
Rock N Roll Hotel: 1353 H St. NE, D.C.; 202-388-ROCK; www.rockandrollhoteldc.com

WEDNESDAY, MARCH 7
Playing for Change at Rams Head On Stage
What started as a project to bring the music of street musicians from around the world together on one song in video and audio has turned into an international phenomenon. The now famous “Stand by Me” video, which features nearly 40 artists filmed from across the globe, edited together into one singular song has had almost 40 million views on You Tube and since the project’s early inception in 2004, producer Mark Johnson has continued to connect these people through music. “The idea for this project arose from a common belief that music has the power to break down boundaries and overcome distances between people,” Johnson said. “No matter whether people come from different geographic, political, economic, spiritual, or ideological backgrounds, music has the universal power to transcend and unite us as one human race. And with this truth firmly fixed in our minds, we set out to share it with the world.” Johnson has continued to record many classic standards with artists worldwide, including Bob Marley’s “One Love” and John Lennon’s “Imagine.” For a chance to see a collection of these dedicated performers all on one stage, Annapolis will be the place to be this March.
Starts at 8 p.m. $35 - Jason Walsh
Rams Head On Stage: 33 West St., Annapolis, MD; 410-268-4545; www.ramsheadtavern.com

THURSDAY, MARCH 8
Dangermuffin at the Jammin Java
They’ll be jamming’ at the Java this month as South Carolina’s Dangermuffin rolls into town with their “organic and cool” Americana folk sounds. Formed in Folly Beach, Dangermuffin is a trio that puts the groove into this acoustic styling in what they call “a punchy, folk-jam pastry with a sweet-toothed soul of the South.” Joining the guys from SC is the solo endeavor Cris Jacobs band, who has spent the last decade with his Baltimore outfit, The Bridge. For a night of down-home fun with a slight twist, the Java will be the place to be, but be warned, this gig will be standing room only.
Starts at 8 p.m. $10 advance/$13 day of show. - Jason Walsh
Jammin Java: 227 Maple Ave. East, Vienna, VA; 703-255-1566; www.jamminjava.com

THURSDAY, MARCH 8
Los Amigos Invisibles at the Black Cat
A night of international flavor hits the Black Cat this month as Los Amigos Invisibles bring their acid-jazz disco/funk fusion all the way from Venezuela. Nominated for multiple Grammys and winners of a Latin Grammy, this dance band with Latin flavor is now based out of New York, with six critically acclaimed releases to date, including the most recent, “Commercial,” from which they dropped an outtakes E.P. last year called “Not So Commercial.” The Amigos are currently signed to David Byrne’s Luaka Bop record label. If you like your tunes high-energy with dance beats mixed with some South American soul, Los Amigos Invisibles will be the band for you this month.
Starts at 8 p.m. $22 advance/$25 day of show. - Jason Walsh
Black Cat: 1811 14th St. NW, D.C.; 202-667-4490; www.blackcatdc.com

TUESDAY, MARCH 13
Iced Earth and Warbringer at the 9:30 Club
Tampa’s Iced Earth is returning to the 9:30 with their patent blend of power thrash. Formed in 1985, Iced Earth is led by founding guitarist Jon Schaffer and they released their tenth studio album, “Dystopia,” last October. This is the first record to feature their new lead singer, Stu Block from Into Eternity, who replaces longtime frontman Matt Barlow. Joining the onslaught is Warbringer, a thrasher band out of California’s Ventura County who came together in 2004. Warbringer dropped their third and most recent endeavor, “Worlds Torn Asunder,” this past September on Century Media Records. For a weeknight of head banging havoc from two of metal’s favorites, head out to the 9:30 Club with your horns raised high.
Starts at 7 p.m. $25. - Jason Walsh
9:30 Club: 815 V. St. NW, D.C.; 202-265-0930; www.930.com

WEDNESDAY, MARCH 14
Uncle Kracker at the 9:30 Club
Matthew Shafer a.k.a. Uncle Kracker is on the road sharing his Top 40 spin on hiphop/rock. Originally a DJ back in the day for his bro Kid Rock, Uncle Kracker set out on his own, releasing his debut “Double Wide” in 2001, which had the hit, “Follow Me,” a popular track that helped propel the record to double platinum. Kracker has since completed three more records with the help of Kid Rock as producer, and is scheduled for the release of new material sometime this year, dubbed “Postcards from Home.” Alabama songstress Sonia Leigh joins Uncle Kracker on this tour as well as fellow Detroit singer-songwriter Ty Stone.
Starts at 7 p.m. $25. - Jason Walsh
9:30 Club: 815 V. St. NW, D.C.; 202-265-0930; www.930.com

THURSDAY, MARCH 15
Hank 3 at the 9:30 Club
Shelton Hank Williams, or Hank Williams III, or just Hank 3, has always been a busy guy. When he’s not drumming for Arson Anthem or playing bass for Phil Anselmo’s Superjoint Ritual or working on his punk/metal band Assjack, he’s continuing to reinvent himself in his solo work blending country roots with punk, hardcore, metal, and psychobilly elements in a sound that is distinctly his own. After a heated split with Nashville’s Curb Records label, who released his previous albums, Hank 3 struck out on his own last year, dropping three new albums on his own label through metal giants, Megaforce Records. “Ghost to a Ghost/Guttertown” is a two-disc country album, while the “3 Bar Ranch Cattle Callin’” metal record is dubbed “cattle-core,” and lastly “Attention Deficit Domination” sees Hank 3 exploring doom rock. Williams said the undertaking was no easy task. “It’s been intense, man,” he said. “Having my own label hasn’t cut into my creativity so far, and that was the main thing I was worried about. Since I did all four records at once, there was a lot to organize and a lot to deal with in general. I do it all on my end as far as the layouts and the art and all that shit, and then send it to ’em. Megaforce has stepped up and helped me create my vision, ‘cuz no one else would be into putting all that product out at once. That was huge for me, man, to approach it like that. I wanted to come out of the gate full-on, and so far, so good.” Williams continues his North American run that started last year, supporting this new material and he divides the show into different sets of the various styles. You never know what might happen at a Hank 3 show.
Starts at 7:30 p.m. $20. - Jason Walsh
9:30 Club: 815 V. St. NW, D.C.; 202-265-0930; www.930.com

FRIDAY, MARCH 16
Henry Rollins at the Baltimore Sound Stage
DC native Henry Rollins is on the road again with his spoken word act, vocalizing his observations, rants, and opinions about all that he’s seen in his millions of miles of travel. Dubbed “The Long March 2012-2013 Tour,” Rollins kicked off the outing in Europe and will be returning stateside and to Baltimore for an evening of waxing poetic in a way only he can do. He made his mark with the seminal punk band Black Flag in the 80s, moving on to the Rollins Band through the 90s, before undertaking a career in film as television as well as a regular radio DJ in Los Angeles. Last year he released a book of photographs and writings called “Occupants.” Fans of Rollins fast-talking, quick-witted banter won’t want to miss this chance to hear what Henry has to say.
Starts at 8 p.m. $25 advance/$30 day of show. -Jason Walsh
Baltimore Soundstage: 124 Market Pl., Baltimore, MD; 410-244-0057; www.baltimoresoundstage.com

SATURDAY, MARCH 17
Psychedelic Furs at the State Theatre
Those classic 80s sounds are returning to the region as the Psychedelic Furs find their way to Falls Church. The original London alt-rockers who made their name with the title song to the John Hughes film, “Pretty in Pink,” the Furs have continued to keep New Wave alive in an industry that changes almost every day. Formed by brothers Richard and Tim Butler in 1977, the band went on hiatus during the 90s, working in the band Love Spit Love, and reformed in 2000. On this go around, the Furs will be performing their second album from 1981, “Talk Talk Talk,” in its entirety. Joining them on this evening is DC’s Dance for the Dying, and if you miss them at Falls Church, they will be playing at Rams Head On Stage in Annapolis on Monday, March 19.
Starts at 7 p.m. $36. - Jason Walsh
The State Theatre: 220 N. Washington St. Falls Church, VA; 703-237-0300; www.thestatetheatre.com

MONDAY, MARCH 19
Toots and the Maytals at the 9:30 Club
Legendary reggae songwriter Frederick “Toots” Hibbert is bringing the Maytals back to the States for some positive vibrations this March. Formed in the early 60s when Ska was booming in their native Jamaica, Toots and Maytals soulful style quickly became popular, earning them a place in the annals of reggae music. “Pressure Drop” still remains one of their greatest and most covered hits, among their endless catalog of great Rastafari standards. Through the last five decades, the Maytals have continued to tour and particpate in large festivals and this current run gives reggae fans a chance to see Jamaican royalty play some of the great island sounds.
Starts at 7 p.m. $26. - Jason Walsh
9:30 Club: 815 V. St. NW, D.C.; 202-265-0930; www.930.com

TUESDAY, MARCH 20
Metal Alliance Tour 2012 at Sonar
The Alliance has formed and will be crushing souls in Baltimore this month at a festival led by Santa Barbara’s DevilDriver, who are out on the road promoting their recent gift to the metal gods, “Beast,” which released this past summer. Dubbed the “Metal Alliance Tour 2012,” DevilDriver is joined by The Faceless, a technical death metal crew out of Encino, as well as Maryland’s Dying Fetus. Also on board is Arizona’s Job For A Cowboy, 3 Inches of Blood from Canada, and Impending Doom from Riverside, California. Rounding out the bill is Wretched, the death metal outfit from Charlotte. Aside from this stacked lineup of metal’s heaviest, there will be some local bands supporting as well.
Starts at 3:30 p.m. $22 advance - Jason Walsh
Sonar: 407 E. Saratoga St., Baltimore, MD; 410-783-7888;www.sonarbaltimore.com

TUESDAY, MARCH 20
Kasabian at the 9:30 Club
English Indie rockers Kasabian are crossing the pond from their native Leicestershire, supporting last year’s “Velociraptor!” record, the band’s fourth studio release. Formed in 1997, Kasabian are heavily influenced by the sound of The Stone Roses, and have been compared to Happy Mondays, Primal Scream, and Oasis. Their swirl of electronic and DJ hooks with alt-rock sensibilities have made them a popular act internationally. This current run stateside further promotes “Velociraptor!” with their U.K. hit “Switchblade Smiles.”
Starts at 7 p.m. $22. - Jason Walsh
9:30 Club: 815 V. St. NW, D.C.; 202-265-0930; www.930.com

SATURDAY, MARCH 24
Band of Skulls and We Are Augustines at the 9:30 Club
What started as Fleeing New York, saw three college students in Southampton, England, bring their love of rock and songwriting together and become a force in the London music scene. Band of Skulls is the brainchild of guitarist and vocalist Russell Marsden, bassists and vocalist Emma Richardson, and drummer Matt Hayward. Combining the garage and ALT rock ideals with a flavorful of blues, Band of Skulls have now released three albums, including “Sweet Sour” which hit the market last month. Joining the Skulls on their run across the States is We Are Augustines from Brooklyn, who are out supporting their debut, “Rise Ye Sunken Ships.”
Starts at 8 p.m. $18. - Jason Walsh
9:30 Club: 815 V. St. NW, D.C.; 202-265-0930; www.930.com

MONDAY, MARCH 26
Kevin Seconds, Kepi Ghoulie, Vic Ruggiero, and Franz Nicolay at the Black Cat
Many of the veteran hardcore guys from the 80s have found their way of expressing those angst-filled emotions in the latter years acoustically. Kevin Seconds is one of those true pioneers who keeps going. Seconds formed 7 Seconds in 1979 with his brother Steve Youth and wrote some of the most influential anthems in the early 80s during hardcore’s early beginnings. Songs like “Young ‘Til I Die” and “Walk Together Rock Together” spoke to suburban kids everywhere during the Reagan era, but it was in 1989 when Kevin picked up an acoustic guitar and began his solo career that has now spanned more than two decades. Joining this run with Seconds is Kepi Ghoulie from Sacramento’s The Groovie Ghoulies, punk and indie composer Franz Nicolay, and Vic Ruggiero, best known for his time with the Slackers and Rancid. This is an opportunity for fans to see some of these old-school legends throw down some personal solo sounds.
Starts at 8 p.m. $10 advance/$12 day of show. - Jason Walsh
Black Cat: 1811 14th St. NW, D.C.; 202-667-4490; www.blackcatdc.com

TUESDAY, MARCH 27
D.R.I. at Baltimore Soundstage
One of hardcore’s fastest are coming to the region this month, as Houston’s D.R.I. brings the classic crossover thrashcore to Baltimore. Known for their blistering one-minute anthems, the Dirty Rotten Imbeciles have been slaying venues since the early 80s. Led by founders Spike Cassidy and frontman Kurt Brecht, D.R.I. made their mark with “The Dirty Rotten L.P.,” followed by “Dealing With It,” and the groundbreaking “Crossover,” which was one of the first metal/hardcore fusions that began the change in heavy music that still echoes today. If you like it fast, this is a show you won’t want to miss.
Starts at 6 p.m. $15. -Jason Walsh
Baltimore Soundstage: 124 Market Pl., Baltimore, MD; 410-244-0057; www.baltimoresoundstage.com

TUESDAY, MARCH 27
The Revival Tour at the Recher Theatre
Yet another collection of punk and hardcore veterans turn off the amps and pick up acoustic guitars in what has now become an annual tradition. “The Revival Tour,” started in 2008 by Chuck Ragan of Hot Water Music, has featured some of the great underground artists performing in a light that many have not seen. Joining Ragan on this year’s installment is Dan Andriano of Alkaline Trio, Tommy Gabel of Against Me!, and Cory Branan, who has collaborated with Lucero and Thrift Store Cowboys. Sponsored by Ten-Four Records, this tribute to folk music brings some of the great talents of modern music into a unique and unexpected setting.
Starts at 7 p.m. $15 advance $18 day of show. - Jason Walsh
Recher Theatre: 512 York Rd. Towson, MD; 410-337-7178;
www.rechertheatre.com

WEDNESDAY, MARCH 28
Van Halen at the Verizon Center
This is the tour Van Halen fans have been waiting decades for…The Van Halen brothers reunited with David Lee Roth, and a new album of new songs, well sort of…
“A Different Kind of Truth” is the first collaboration between Eddie, Alex, and Diamond Dave in 27 years, and the first record to feature Eddie’s son Wolfgang on bass, replacing original member Michael Anthony. However, the songs come from early, unreleased material by the band during the mid-to-late 70s. This ends one of the longest standing feuds in rock history and now fans have a chance to catch it before it ends, because who knows with these guys. Roth hasn’t worked on material with the VH brothers since their commercial height with the release of “1984.” It was during that tour that tensions arose and Roth’s departure, going on to have a successful but short-lived solo career, while Van Halen saw the beginning of the Sammy Hagar era. They’ve released a video from the album’s first single, “Tattoo,” which shows that even though these guys are in their late 50s, Roth still has his chops and Eddie can still light up a fretboard. This reunion has been in the making since 2006 when the early rumblings were made, followed by some performances with Roth, but the new album and ambitious North American Tour will determine whether these guys, all these years later, can finally get along. Van Halen formed in 1972, originally as “Mammoth,” but began their rise stardom with their first self-titled record that contained the hits “Runnin’ with the Devil,” “You Really Got Me,” “Ain’t Talkin’ ‘Bout Love,” and the guitar lesson/clinic, “Eruption.” The band enjoyed a decade of success with Roth so hopefully they can enjoy a decade more. Opening for Van Halen will be the 70s sounds of Kool & the Gang.
Starts at 7:30 p.m. $79.50-149.50. - Jason Walsh
Verizon Center: 601 F. St. NW, D.C.; 202-628-3200; www.verizoncenter.com

THURSDAY, MARCH 29
Nero at the 9:30 Club
London’s Nero started as a drum and bass trio but has evolved, incorporating dubstep with house music elements. Formed in 2004, the electronic chaos features producers Daniel Stephens and Joe Ray, with vocalist Alana Watson who joined the duo in 2008. Nero released many singles over the last few years which have done well on the U.K. charts, but their debut album, “Welcome Reality,” hit the mainstream last August, rising to the number one spots in Britain, as well as going gold at home as well as in Australia. Supporting Nero on this outing is Los Angeles DJ/producer Dillon Francis with his own spin on dubstep.
Starts at 10 p.m. $40. - Jason Walsh
9:30 Club: 815 V. St. NW, D.C.; 202-265-0930; www.930.com

FRIDAY, MARCH 30
Reckless Fest at Sonar
Modern metal will be scorching the stages of the Sonar as the Reckless Fest unleashes some of the newest bone-crushing bands upon Baltimore. Leading the pack is Britain’s Asking Alexandria who released “Reckless & Relentless” on Sumerian Records last year. Adding to the chaos is the blazing fast riffage of Trivium, the Orlando based outfit who are out supporting their fifth-studio album, “In Waves.” This festival also sees Chelsea Grin from Salt Lake City, Michigan’s post-hardcore I See Stars, and Motionless in White from Scranton. Support at this festival also includes Attila, For the Fallen Dreams, Chunk! No Captain Chunk!, and Vanna. An early event with some of the youthful bands of the day.
Starts at 4 p.m. $27 advance/$30 day of show. - Jason Walsh
Sonar: 407 E. Saratoga St., Baltimore, MD; 410-783-7888;www.sonarbaltimore.com

RISE AGAINST COMES TO DC

Rise Against
by Jason Walsh

Last year was a busy year for the guys from Rise Against, having released their sixth studio album, Endgame, as well as touring relentlessly. Vocalist and guitarist Tim McIlrath was excited about traveling to some new places in 2011 and being involved in some big events.

“Getting down to South America for the first time, that was a lot of fun for the band,” McIlrath said. “We’ve been trying to get down there for years. Opening up for the Foo Fighters on the East Coast was a great time, actually a blast, and a lot of great European festivals where we hooked up with our old friends.”

Rise Against kicked off a headlining U.S. tour last month and winds their way to the Patriot Center at George Mason University on February 5. Having spent many years supporting bands on tour that influenced them, such as Sick of it All, Bad Religion, and Rancid, it felt good for McIlrath to return the favor for the upstarts in A Day to Remember.

“I thought this one was kind of sentimental, taking out a younger band out there and we wanted to sort of get up with them and put our fans in the same room and I guess we’ll see how it goes. I’m pretty excited about it. We’ve played a handful of shows with A Day to Remember in December and they’re a great fit. Our bands are different but bring a lot of people in a room.”

The guys from Chicago have been holding their own in a tough music industry for more than a decade now, maintaining their punk ethics and passionate melodic musicianship. They have enjoyed a great deal of success and last year’s Endgame was their highest charted record to date, debuting at No. 2 on the Billboard chart with 85,00 copies sold the first week. Rise Against just dropped their third single, “Satellite,” from the record and McIlrath says it’s a song that was an important component on Endgame.

“It was one of the first songs we wrote for this record and it was sort of a launching point, like a jumping off point for us,” he said. “It set the tone for the rest of the songs. When you’re a band and you’re doing records and touring, you take a little break and go away for a little while and when you kind of get back in the saddle, people are always wondering, ‘well, where are they now, where are their heads now, where are they musically?’ ‘Satellite’ is a kind of a rallying cry. We’re still the same band, we’re going to try and heat up on a lot of these issues that they’re talking about.”

More recently, Rise Against has participated in a huge project from Amnesty International. Chimes of Freedom: The Songs of Bob Dylan Honoring 50 Years of Amnesty International is a new 5 CD release that features 75 tributes to the legendary folk hero and songwriter. On the roster of great musical talents is Pete Townshend, Elvis Costello, Dave Matthews Band, Bad Religion, and Flogging Molly, just to name a few. The ever-politically-charged McIlrath said Rise Against are strong supporters of the organization’s work

“First and foremost, we’ve always been behind the mission of Amnesty International,” he said. “They protect human rights around the world. They speak up for political prisoners, people who are held in prison simply for their ideology. It’s hard to believe that this still happens in 2012, but it still does and something like Amnesty International is a much needed force to bring awareness.”

And when the tribute was to Bob Dylan, their decision to participate was automatic. “This compilation came up and Bob Dylan is such an incredible songwriter, an incredible force that was satirical and political and always had something important to say. We wanted to jump on that immediately.”

However, choosing the right song that fit the band was not as easy a decision, but the “Ballad of Hollis Brown” struck a chord with the group. “That was something that took us a while to figure out, what song to do, because there’s so many great Dylan songs,” McIlrath said. “But this one, we were backstage somewhere and we were playing a lot of Bob Dylan stuff on shuffle, just kind of hearing the whole catalog, and that one came on and I remember me and our bass player Joe (Principe) just came up to each other and were like ‘I like this one.’ I kind of peeled back the layers, as much as the lyrics a little bit. It’s the story of a farmer who had fallen on hard times. I thought there were a lot of parallels to today’s economical climate.”

Living a life as a professional musician and songwriter was not something McIlrath would have expected. “Never in a million years,” he laughed. “I was far more of a realist. I got into it because I couldn’t not get into it. I picked up a guitar and all of it snowballed from there. I just kept playing because I couldn’t stop playing. I kept writing songs because I couldn’t stop writing songs. When we started up this band, punk rock wasn’t really as popular as it is now.”

And the praise, notoriety, and commercial success was just as much of a surprise. “I underestimated the audience out there I guess. I thought we’d always kind of be on the fringes of music and I’ve been pleasantly proven wrong. To find such a hungry audience out there who’s looking for music that reflects the questions they have about the world. It’s something that’s really inspiring, to see that…a lot of the people give a shit about what we do, and more importantly, just that people feel lost and are looking for direction and want to help and want to be part of fighting the good fight.”

A Day to Remember and The Menzingers will be opening for Rise Against on February 5.

Starts at 7 p.m. $29.50-39.50. - Jason Walsh
Patriot Center at George Mason University: 4500 Patriot Circle, Fairfax, VA; (703) 993-3000; www.patriotcenter.com

January show previews for ON TAP Magazine

FRIDAY, JANUARY 13
Bootsy Collins at the State Theatre
The ambassador of funk is bringing his flavorful cosmic bass lines to Falls Church this month. Bootsy Collins, most noted for his work with James Brown and Parliament Funkadelic, is taking his solo act on the road in support of his newest and thirteenth release, “The Funk Capital of the World.” This newest effort features and all-star cast of contributors, including Chuck D, Snoop Dogg, George Clinton, and Ice Cube, as well as the likes of Sheila E., Bela Fleck, and Buckethead. Collins knew it was time to hit the studio again with some old friends. “The secret that I learned is that you can not tell the Universe what to do,” Collins said. “When the Universe is ready, it will tell you, and then you got to be ready. And when the Universe told me it was time to record my new album, Lord, I was ready.” “Don’t Take My Funk” is the first single that spun from the new album and it features his brother, the late Catfish Collins, who passed while completing the record, as well as R&B legend Bobby Wommack. There are also appearances from celebrities like Samuel L. Jackson, Rev. Al Sharpton, and Dr. Cornell West. The track “Mirrors Tell Lies,” samples Jimi Hendrix’s song “Roomful of Mirrors,” and was a personal milestone for the Funk Master Collins. “To be able to share a stage or a song with Jimi was something I fantasized about as a young man listening to him on cassettes while I rode in James Brown’s bus between gigs,” Collins said. “And suddenly, just as I’m about to turn 59 years old, it happens.” Aside from this performance at the State Theatre, he will also be at the Baltimore Sound Stage on January 11. For a chance to see the talented stylings from a Rock and Roll Hall of Famer, get with Bootsy this month at the State Theatre.
Starts at 7 p.m. $40. - Jason Walsh
The State Theatre: 220 N. Washington St. Falls Church, VA; 703-237-0300; www.thestatetheatre.com

SATURDAY, JANUARY 14
In Flames, Trivium, Veil of Maya, and Kyng at Rams Head Live
Following their “Defenders of the Faith” tour of the United Kingdom, In Flames and Trivium return to North America for a run of shows over the next two months, with a stop at Rams Head Live in Baltimore. The melodic death metal thrash of Sweden’s In Flames has decimated festivals for almost two decades, with their eleventh album, “Sounds of a Playground Fading,” melting faces for the last year. Trivium from Orlando, Florida, has also taken the reigns as one of the most respected outfits in modern metal, having thrown down their fifthy record, “In Waves,” on Roadrunner Records. Balancing the bill is Veil of Maya from Illinois and Kyng from L.A. who are out supporting their current collection of new songs, “Trampled Sun.”
Starts at 6:30 p.m. $25 advance $28 day of. - Jason Walsh
Rams Head Live: 20 Market Pl. Baltimore, MD; 410-244-1131; www.ramsheadlive.com


MONDAY, JANUARY 16
Graveyard, Radio Moscow, and Daniel Davies at DC9
The 70s stoner rock grooves of Sweden’s Graveyard will be rocking the roof at DC9. Having just introduced the world to their second album, “Hisingen Blues,” Graveyard is back in the States for another run of dates. Their sound is a chaotic pulse of folky “mind-warping” blues, heavily influenced by the likes of Sabbath, Cream, and Blue Cheer. They have spent time in North America touring alongside Clutch, Witchcraft, and even CKY. Joining the ride is Iowa’s Radio Moscow promoting their third disc, “The Great Escape of Leslie Magnafuzz.” Opening is Daniel Davies, frontman of Year Long Disaster and son of Dave Davies of The Kinks, who has been working on a solo project which features Brad Davis of Fu Manchu on bass.
Starts at 9 p.m. $10. - Jason Walsh
DC9: 1940 9th St. N.W., DC; 202-483-5000; www.dcnine.com

THURSDAY, JANUARY 19
Ghost, Blood Ceremony, and Ancient VVisdom at the Rock N Roll Hotel
Ghost will finally be materializing in the States as their first North American Tour finally hits the shores this month. The melodic devil metallers from Sweden had planned to come over earlier but their tour was delayed because of visas and whatnot, but they arrive this January with Blood Ceremony and Ancient VVisdom. The thing about Ghost is that they have this stage presence, fronted by the vocalist, “Papa Emeritus,” donned in a Catholic Cardinal uniform with a red skull mask, while the five remaining mysterious members of the band, known as the “Nameless Ghouls,” perform in dark hooded robes. The secret identities of the group is unknown, and after they arrived in this world in 2008, they released their first album, “Opus Eponymous,” in 2010. “Ghost is the name of a devil worshipping ministry,” preaches Papa Emeritus. “That, in order to spread their unholy gospels and, furthermore, trick mankind into believing that the end is ultimately a good thing, have decided to use the ever so popular rock music medium as a way to achieve their ends.” The “doom-drenched” throwback metal is epic and evil, assuring us all that the apocalypse is coming soon. This is what happens when some of Dethklok’s Klokateers rent a rehearsal space. Joining the Ghouls from Ghost is Blood Ceremony from Toronto, who have blended “witch rock” in a Sabbath-meets-Jethro Tull vein. The flute-driven Canadian satyrs released their second album this year, “Living with the Ancients.” Rounding out the evening of occult metal retribution is Ancient Vvisdom from Austin, featuring former members of Integrity and Iron Age doing dark acoustic pagan folk songs. Last year, Ancient Vvisdom did a split EP called “Inner Earth Inferno” with none other than Charles Manson, who contributed previously unreleased material.
Starts at 8:30 p.m. $15. - Jason Walsh
Rock N Roll Hotel: 1353 H St. NE, D.C.; 202-388-ROCK; www.rockandrollhoteldc.com

SUNDAY, JANUARY 29
Anvil at Jammin’ Java
It was the 2008 documentary “Anvil: The Story of Anvil” that brought the 80s Canadian metal trio back into the minds of fans, after they spent the previous three decades cursed in the shadows of the unknown. After touring the world alongside Bon Jovi, Whitesnake, and the Scorpions in 1984, they were poised to be one of the planet’s biggest metal bands, ready to sell billions of records, and it just didn’t happen. The rest of the bands went on to make millions of dollars, countless world tours, platinum albums, women, wine, and mansions, but Anvil just faded into the void. The documentary, the directorial debut by “The Terminal” screenwriter Sacha Gervasi, who was a one-time Anvil roadie, was widely viewed, praised, and applauded. “Broken us wide out into the general mainstream, you know,” founding guitarist and vocalist Steve “Lips” Kudlow said. “From obscurity to a household name. A thirty year overnight sensation.” During shooting, Anvil worked on their album, “This is Thirteen,” named so because, well, it was their thirteenth record. They reemerged in the metal scene since, gaining opening slots with AC-DC and Saxon as well as many of the big European and North American festivals, and a couple headlining runs here and abroad. They recorded the follow up this past year at Dave Grohl’s studio with producer Bob Marlette, dubbed “Juggernaut of Justice.” Anvil will be mounting the “Monument of Metal” tour, which finds itself at the Jammin’ Java in Vienna. “Lips” says they may have not gotten the fame and fortune they feel all the decades of hard work should have earned, but the band still has a true passion for the music and belief in what they do. “That’s what it’s all about, and I don’t really plan to change my ways,” Kudlow said. “All that’s happened is that I’m getting sort of famous for sticking to my guns and having that kind of philosophy, so I’m certainly not going to change. I don’t want to.”
Starts at 8 p.m. $15. - Jason Walsh
Jammin Java: 227 Maple Ave. East, Vienna, VA; 703-255-1566; www.jamminjava.com

SUNDAY, JANUARY 29
Dark Funeral, Abigail Williams, Inquisition, and Gigan at Jaxx
The evil black metal lords roll through Jaxx once again. Led by Sweden’s Dark Funeral and their founding guitar incinerating duo of Blackmoon and Lord Ahriman, the night of demonic power chords includes a return visit from Phoenix’s Abigail Williams, who passed through Jaxx twice over the last couple months with the legendary Mayhem from Norway. Taking their name from the Salem witch accuser in Arthur Miller’s “The Crucible,“ Abigail Williams have completed their second studio epic, “Becoming,” which is scheduled to release this month on Candlelight Records. Rounding out the bill is Inquistion who comes all the way from the nation of Columbia, a thrash outfit who have gone to the dark side of black metal. Opening the all-ages show is grind core assassins from Tampa, Gigan, who released their third album this year, “Quasi-Hallucinogenic Sonic Landscapes.”
Starts at 6 p.m. $23 advance/$25 day of show. - Jason Walsh
Jaxx: 6355 Rolling Rd. Springfield, VA; 703-569-5940; www.jaxxroxx.com

December previews for shows in DC for ON TAP Magazine

THURSDAY-SUNDAY, DECEMBER 1-4
Steve-O at the Improv
The star of “Jackass” and “Wild Boyz” is bringing his deranged stage show to DC. Steve-O (a.k.a. Stephen Glover) will be at the Improv in DC performing six shows over four nights. He’s spent the last month and a half touring Europe, and this December he returns to the States for his insane style of comedy, sure to have stunts that you won’t want to try at home. Steve-O has spent his entire life in front of the camera, from his youth shooting skate videos, stunts, and comedy skits, to his successful and lucrative TV career, and even his downward spiral into the abyss of addiction that nearly took his life. The wild youth liked to document everything he did and decided early on he wanted to be a professional stuntman. When University life didn’t work out he enrolled in the
Ringling Brothers and Barnum & Bailey Clown College in 1997. When Ringling Brothers didn’t hire him as a clown, Steve O got a gig performing shows as a clown in a flea market circus, at which time he had a major cocaine addiction. He had submitted many pictures and videos to “Big Brother” editor Jeff Tremaine, so when Tremaine started the “Jackass” TV show for MTV he immediately knew Steve-O was perfect for the project. Alongside Johnny Knoxville, Bam Margera, Wee Man, and the late Ryan Dunn, he became known as the guy who would do the crazy and outlandish stuff that no one else would. Several successful seasons and two feature-length films later, Steve-O began his descent into the worst of his addiction and madness, with cameras still constantly rolling. It took an intervention in 2008 by his friends from “Jackass” that saved the now suicidal and drug addled Steve-O’s life. MTV compiled a documentary, “Steve-O: Demise and Rise,” using all the footage from his heavy drug usage period and the following recovery. He’s been sober ever since 2008, using skateboarding to maintain his sanity, and still performs his unique comedy and stunt work, which he said helps to keep him continuing to walk the line. He was a part the cast again in “Jackass 3D” in 2010 and this year he released his first book, “Professional Idiot: A Memoir,” where he spoke out about his troubled childhood, rise to popularity, and struggles with dependency. Fans of “Jackass” style humor will not want to miss this run of shows, which will likely be along the lines of his appearance on the “Charlie Sheen Celebrity Roast,“ and hopefully far better than his performance on “Dancing With the Stars.”
Starts at 8 and 10:30 p.m. $25-27. - Jason Walsh
The Improv: 1140 Connecticut Ave. N.W., DC; 202-296-7008; www.dcimprov.com

FRIDAY, DECEMBER 2
Dark Star Orchestra at the 9:30 Club
The psychedelic maestros are celebrating their 12 years of touring and after almost 1800 shows performed, they are dusting off old set lists from classic Grateful Dead shows for fans around the country. For two nights at the 9:30 Club, the Dark Star Orchestra will be thrilling “deadheads” with performances in tune with Dead shows from the old days. Formed in 1997, the Dark Star Orchestra took their passion for jam band music and the legendary sounds of San Fran’s original hippie outfit and have taken on the challenge to recreate some of the Dead’s greatest shows. They are not just recreating the old concerts, but taking their talents and flavor for improvisation and interpretation to bring that classic sound to fans old and new. Break out the tie dyes, fire up the lava lamps, and get ready to head FURTHUR.
Starts at 8 p.m. $27. - Jason Walsh
9:30 Club: 815 V. St. NW, D.C.; 202-265-0930; www.930.com

FRIDAY, DECEMBER 2
John Doe at Jammin’ Java
Singer/songwriter and punk icon John Doe will be in Vienna this December in support of his newest solo offering, “Keeper.” Doe got his start in the fledgling 80s punk/hardcore explosion in Los Angeles with the seminal group, X, alongside Exene Cervenka. He began a prosperous solo career in 1990 and has continued to write and record original material ever since, with hints of country mixed with and edgy, underground flavor. This year, prior to the release of “Keeper,” Doe collaborated with Jill Sobule on the album, “A Day at the Pass.” Aside from his years as a respected musician, he is also an acclaimed actor, with film credits including “Roadhouse,” “Wyatt Earp,” “Boogie Nights,” and the cult independent classic “Roadside Prophets” with Adam Horowitz of the Beastie Boys.
Starts at 8 p.m. $18. - Jason Walsh
Jammin Java: 227 Maple Ave. East, Vienna, VA; 703-255-1566; www.jamminjava.com

FRIDAY, DECEMBER 2
Born Of Osiris, Veil Of Maya, Carnifex, Structures, and Betraying The Martyrs at Jaxx
It will be a night of technically shredding Sumerian Records artists this month led by the powerful progressive deathcore sounds of Born of Osiris. Supporting their second release, “The Discovery,” on the DC & LA based Sumerian label, the six-member crew has upped their game. Lead guitarist Lee McKinney said this time around the band came up with some incredible new sounds. “This album contains an awesome mix of our most heavy, most technical, most atmospheric, and most beautiful melodies ever,” McKinney said. Touring alongside Osiris is fellow Sumerian bandmates and fellow Illinois natives Veil of Maya, who released their third record last year, “[id].” Rounding out the roster is Structures and Betraying the Martyrs, also signed to Sumerian, as well as Carnifex from San Diego, who released “Until I Feel Nothing” this year on Victory Records.
Starts at 5 p.m. $15 advance/$18 day of show. - Jason Walsh
Jaxx: 6355 Rolling Rd. Springfield, VA; 703-569-5940; www.jaxxroxx.com

SUNDAY, DECEMBER 4
As I Lay Dying, Of Mice & Men, and The Ghost Inside at the 9:30 Club
San Diego’s metalcore outfit As I Lay Dying will be headlining the 9:30 Club this December with an impressive roster of current heavy bands. This current tour, dubbed the “Decade of Destruction” tour, celebrates their ten year anniversary. Providing support for As I Lay Dying is Of Mice & Men from Costa Mesa, California, who have just released their sophomore effort, “The Flood.” Rounding out the bill is The Ghost Inside from Los Angeles, deep South metalheads Iwrestledabearonce, and Sylosis from the U.K.
Starts at 6 p.m. $25. - Jason Walsh
9:30 Club: 815 V. St. NW, D.C.; 202-265-0930; www.930.com

MONDAY & TUESDAY, DECEMBER 5-6
America at the Birchmere
For two nights, 70s folk rockers America with special guest Jim Messina will be hosting the Birchmere in Alexandria on the “Holiday Harmony Tour.” Best known for their classic hits “A Horse with No Name” and “Ventura Highway,” the group originally started as a trio consisting of Gerry Beckley, Dewey Bunnell, and Dan Peek. As the band’s popularity began to wane in the late 70s, Peek left the band in ‘77 and the group continued on, charting with the hit “You Can Do Magic” in 1982. Peek passed away earlier this year. Bunnell and Beckley with a new roster of musicians recorded an album of covers in Nashville this year called “Back Pages,” which features interpretations of great rock standards like “Time of the Season” and the Simon and Garfunkel classic that shares their band name, “America.”
Starts at 7:30 p.m. $79.50 - Jason Walsh
The Birchmere: 3701 Mt. Vernon Ave., Alexandria, VA; 703-549-7500;www.birchmere.com

MONDAY, DECEMBER 5
Tori Amos at DAR Constitution Hall
The soulful alternative sounds of Tori Amos will be filling the air this December at the DAR Constitution Hall. Amos, who first gained international notoriety in the 90s with her talented piano playing and inspiring songwriting, has moved away from her normal comfort zone and released an album of classical music called “Deutsche Grammophon.” The compositions are a variation on a theme, paying tribute to the greats of classical music, such as Bach, Chopin, Debussy, and Schubert. The North Carolina native, now 48, continues to expand her musical horizons and the night’s performance will be a chance for folks in the District to see a contemporary artist exploring new territory from the Old World.
Starts at 8 p.m. $45. - Jason Walsh
DAR Constitution Hall: 1776 D. St. NW, DC; (202) 628-4780; www.dar.org/conthall

TUESDAY, DECEMBER 6
Jackyl at Jaxx
Jackyl was part of the last wave of early 90s glam metal bands before corporate metal had its tragic death by Cobain, which put stadium-selling artists like Winger, Poison, and White Lion on the unemployment lines. Jackyl had a Southern redneck thing going and continued through the Age of Grunge, led by wild man Jesse James Dupree, who would do solos with a chainsaw on stage. The Georgia-based metalheads released “When Moonshine and Dynamite Collide” last year celebrating their two-decade anniversary. This December, you have a chance to see them at Jaxx and as of right now, the opening acts could be anybody, so check for updates.
Starts at 6 p.m. $18 advance/$20 day of show. - Jason Walsh
Jaxx: 6355 Rolling Rd. Springfield, VA; 703-569-5940; www.jaxxroxx.com

WEDNESDAY, DECEMBER 7
Kyuss Lives!, Black Cobra, and the Sword at Rams Head Live
The original stoner rockers are back under the moniker Kyuss Lives!, from the ashes of the long lost Kyuss, which toured and recorded relentlessly throughout the late 80s and early 90s before disbanding in 1995, with lead guitarist Josh Homme going on to form Queens of the Stone Age. Kyuss blew out of Palm Desert, California playing the infamous “desert parties” throughout the region in their formative years, releasing the groundbreaking “Blues for the Red Sun” which was followed by “Welcome to Sky Valley” in 1994. This new reunited lineup includes all the original core members minus Homme, with John Garcia on the mic, Nick Oliverio on bass, and Brant Bjork on drums. This year they have toured Australia, New Zealand, Europe, and now make their North and South America run which landed them in DC a few months ago and now they will be at Rams Head in Baltimore. The sludgy dark tunings of Kyuss will be accompanied by Black Cobra and Austin’s The Sword.
Starts at 6 p.m. $20 advance/$25 day of show - Jason Walsh
Rams Head Live: 20 Market Pl. Baltimore, MD; 410-244-1131; www.ramsheadlive.com

FRIDAY, DECEMBER 9
Scythian at the 9:30 Club
It will be a night of Celtic mayhem in the Capitol. Hometown heroes Scythian promise to provide a high-energy performance that will leave fans gasping for oxygen and Guiness. Formed in 2002 by brothers Alexander and Danylo Fedoryka, Scythian started as street performers in Alexandria, until taking the group more serious, releasing their debut that same year, “Dance at the Crossroads.” They have become a staple in the DC area, playing the Shamrock Festival and pubs throughout the metro area. They combine Celtic and World elements with a gypsy twist and punk rock sensibility, making them one of the area’s premiere live bands. For a night of good music and fun, this late-night show at the 9:30 is one to check out.
Starts at 10 p.m. $15. - Jason Walsh
9:30 Club: 815 V. St. NW, D.C.; 202-265-0930; www.930.com

FRIDAY, DECEMBER 9
The Devil Wears Prada, Whitechapel, Enter Shikari, and For Today at the Fillmore
The Christian metalcore assault from Dayton, Ohio is riding into Silver Springs with a gang of loud and heavy friends. The Devil Wears Prada formed in 2005 and has been touring relentlessly since releasing their first record, “Dear Love: A Beautiful Discord” on Rise Records. Now signed to Ferret, they dropped their fourth album this year, “Dead Throne.” Joining the Devil is Whitechapel from Knoxville, Tennessee, who recently rolled through the area supporting their newest album, “A New Era of Corruption,” It dropped on Metal Blade Records last summer before their jaunt along the Warped Tour. Taking their name from the infamous London district where Jack the Ripper preyed on the underbelly of Victorian society, Whitechapel hit the streets running ever since 2006. Now in their fifth year and third record, they continue to bring their aggressive metal and hardcore influenced madness to the masses alongside their friends from Dayton. Opening for these heavy outfits is Enter Shikari from the U.K. and Sioux City’s For Today.
Starts at 7 p.m. $20. - Jason Walsh
The Fillmore Silver Spring: 8656 Colesville Rd. Silver Spring, MD; 301.960.9999; fillmoresilverspring.com

SATURDAY, DECEMBER 10
Cheap Trick at the Fillmore
Cheap Trick are back with the original lineup to bring fans some of their great hits from the 70s. With classics like “Surrender,” “I Want You to Want Me,” and “Dream Police,” founders Rick Nielsen and Robin Zander are ready to electrify the stage at the Fillmore. They were booked to play a show at the Fillmore on November 11, but had to reschedule so now they are locked in on this new December date. Formed in 1973, it was their 1977 self-titled debut that introduced the world to the guys from Rockford, Illinois. Nielsen’s outlandish behavior and appearance has been an iconic part of their legacy, and they have continued to remain active for more than three decades. They released new material on “The Latest” in 2009, but fans will be surely screaming for the well-known classics Cheap Trick is known for delivering. All tickets purchased for the November 11 show will be honored.
Starts at 8 p.m. $45-75. - Jason Walsh
The Fillmore Silver Spring: 8656 Colesville Rd. Silver Spring, MD; 301.960.9999; fillmoresilverspring.com

SATURDAY, DECEMBER 10
Winterfest at the Patriot Center
Some of the brightest stars in country music will be rocking the Patriot Center this December on the campus of George Mason University. Sponsored by WMZQ, “Today’s Country” station for the DC area, the lineup sees some big names headlining the event. Sharing top billing is North Carolina native and American Idol contestant Kellie Pickler, as well as
CMA winner Rodney Atkins, who released his fourth full-length record this year, “Take a Back Road.” Also on the roster this evening is Grammy Award nominee David Nail, whose sophomore effort, “The Sound of a Million Dreams,” dropped on MCA Nashville last month. The duo Thompson Square provide support with more Nashville inspired melodies, as well as the lyrical stylings of Josh Thompson and Ahston Shephard.
Starts at 5:30 p.m. $30-99. - Jason Walsh
Patriot Center at George Mason University: 4500 Patriot Circle, Fairfax, VA; (703) 993-3000; www.patriotcenter.com

SUNDAY, DECEMBER 11
Mayhem at Jaxx
Mayhem and their army of the undead played at the Sonar in Baltimore last month in the early stages of their North American Tour and find their way back to Virginia for a night of evil incarnate. One of Norway’s most notorious black metal bands, Mayhem paved the way for the way for Scandinavian groups influenced by Slayer, Venom, and Celtic Frost, and the controversy surrounding them is legendary. The suicide of lead singer Dead in 1991 sent shock waves through the underground, when founding member Euronymous took a picture of the deceased vocalist, who took his life with a shotgun, and made it the album cover for their next record, “Dawn of the Black Hearts.” Then in 1993, Burzum bassist Varg Vikernes, who had recently joined the band, murdered Euronymous during a confrontation, stabbing him multiple times. Vikernes was sentenced to 21 years in prison, but was released on parole in 2009 after serving sixteen years. The band has also been linked to the infamous plague of church burnings across Norway during this time. The lineup has changed considerably since then, with founding bassist Necrobutcher and long-time drummer Hellhammer remaining as the only original members. This newest incarnation sees Attila Csihar on vocals and Morfeus on guitar. Joining them on this North American onslaught is Keep of Kalessin, Hate, and Abigail Williams. The show at Jaxx will also have other bands to be announced.
Starts at 6 p.m. $23 advance/$27 day of show. - Jason Walsh
Jaxx: 6355 Rolling Rd. Springfield, VA; 703-569-5940; www.jaxxroxx.com


STREET DOGS “WRECK THE HALLS” TOUR
MONDAY, DECEMBER 12
Street Dogs, Off With Their Heads, and Murder the Stout at Black Cat
It’s that time of year again, so get ready for the 7th annual “Wreck the Halls” tour, hosted by Street Dogs, and their partners in crime this time around are Off With Their Heads and Murder the Stout. Led by former Dropkick Murphys frontman Mike McColgan and bassist Johnny Rioux, Street Dogs have continued the urban punk legacy that started long ago in the alleys of Boston, the city where this tour winds to a screeching halt. Rioux feels this end-of-the-year tour has become an essential undertaking for the band.

“This tour is really important to us for a few different reasons,” Rioux said. “It's become part of our holiday tradition. We hang out with each other, my brothers, we see some of our favorite friends and fans, and end it all with a couple of hometown gigs in Boston. It's just a great way for us to celebrate the year with each other and the Street Dogs faithful. It's also always been a chance for us to introduce some new bands along the way.”

And this year includes two powerhouse outfits in tow, including Off With Their Heads from Minnesota who released their second album, “In Desolation,” last year as well as Murder the Stout from Houston, a band that has collaborated with the guys from Street Dogs on many levels, including Rioux standing in on mandolin and vocals.

“We were so happy it came together with Off With Their Heads,” he said. “There are so few hardworking punk bands that tour the world, but when the opportunity arises to share a bill it is so exciting for us. Murder The Stout is very incestuous with our band. Long story short, I'm really excited to introduce the Stout EP on the tour, play two sets, and let's face it, any band that has four songs about whiskey in its set is bound to be a good time.”

They released their self-titled fifth studio release, “Street Dogs,” last year and have been touring nonstop ever since. Next year they celebrate their tenth anniversary and have some projects brewing as well as plans to record. For a night of working-class anthems with traditional influences and gritty inspiration, the “Wreck the Halls” tour is a must for the holidays. Just let Johnny tell you why.

“If you've seen Street Dogs in DC or Baltimore for ‘Wreck The Halls,’ you know these are some of our favorite shows the world over,” Rioux said. “We will for sure pull out all the stops and then some.”
Starts at 8 p.m. $15. - Jason Walsh
Black Cat: 1811 14th St. NW, D.C.; 202-667-4490; www.blackcatdc.com

TUESDAY-THURSDAY, DECEMBER 13-15
Lyle Lovett at the Birchmere
For three nights, the unique vocal stylings of one of America’s great artists will be filling the stage at the Birchmere. The 54-year-old Texas native has had a successful career as a singer/songwriter since the mid 80s, and has also had a prosperous time in film, as both an actor and soundtrack musician. He made headlines in the 90s when he married superstar Julia Roberts, whom he’d met on the set of “The Player.” The couple separated after two years filled with paparazzi, but have remained friends. Lovett has recorded ten studio albums over the past quarter century and has won four Grammy Awards. For a night of good, country crooning, the Birchmere with Lyle Lovett and his acoustic group might be your ticket.
Starts at 7:30 p.m. $89.50 - Jason Walsh
The Birchmere: 3701 Mt. Vernon Ave., Alexandria, VA; 703-549-7500;www.birchmere.com

FRIDAY, DECEMBER 16
The Pietasters and the Slackers at the 9:30 Club
The two-tone locals are back again and the mad ska beats will be dropping at the 9:30 Club. The Pietasters were conceived on the campus of Virginia Tech and for the past two decades have proved themselves to be one of the most talented and diverse ska outfits in the States. They were one of the early bands on Rancid founder Tim Armstrong’s fledgling label Hellcat Records in the mid-nineties, alongside Hepcat, and Dropkick Murphys. They have opened for Joe Strummer, played on the Warped Tour, and released six studio albums to date. But, their live performance is what they are all about, crashing dancehalls at every given chance. Along for the ride is fellow Hellcat recording artists, The Slackers. Formed in ‘91, they are still out supporting their 2010 release, “The Great Rocksteady Swindle.” Part of the 90s tidal wave of ska outfits that followed in the success of The Mighty Mighty Bosstones, the guys from Brooklyn have had a successful run for sure. Now on their 12th studio release, the guys from New York show no signs of slowing down.
Starts at 8 p.m. $15. - Jason Walsh
9:30 Club: 815 V. St. NW, D.C.; 202-265-0930; www.930.com

WEDNESDAY, DECEMBER 21
Protest the Hero, Scale the Summit, and Last Chance to Reason at Jaxx
The “Scurrilous Tour 2011” winds its way to Jaxx as the year draws to a close. Headlined by the Canadian Prog-Metal outfit Protest the Hero, who released the album “Scurrilous” this year on Underground Operations and Vagrant Records, the show promises some of the more talented bands in experimental and technical music. Supporting Protest the Hero is the instrumental metal four-piece group from Houston, Scale the Summit, who released the their third offering this year, “The Collective,” as well as Maine’s prog-metal crew, Last Chance to Reason. For a look at some of the more creative musicianship in modern metal, this will be a good cross section of the current crop of creators.
Starts at 6 p.m. $15 advance/$17 day of show. - Jason Walsh
Jaxx: 6355 Rolling Rd. Springfield, VA; 703-569-5940; www.jaxxroxx.com

FRIDAY, DECEMBER 23
Kix and King Belvedere at Rams Head Live
Legendary headbangers Kix will be hosting their 4th annual Kix-mas concert in their hometown of Baltimore during the holiday season. Part of the early wave of commercial metal groups, Kix formed in ‘81 and signed a contract with Atlantic Records releasing their self-titled debut that same year. They tried to survive the fall of metal in the 90s but were eventually dropped by Atlantic in ‘94 and disbanded the following year. The band reformed in 2003 without founder and principle songwriter Donnie Purnell, but have been rocking ever since. Baltimore’s King Belvedere and The Factory will joining in the Kix-mas celebrations.
Starts at 7 p.m. $25 - Jason Walsh
Rams Head Live: 20 Market Pl. Baltimore, MD; 410-244-1131; www.ramsheadlive.com

THURSDAY, DECEMBER 29
The Return of the Kings of Hip Hop at DAR Constitution Hall
Some of the great innovators of Hip Hop will be bringing it old school this month in an unlikely venue: the DAR Constitution Hall. Flowing rhymes and mad beats will be bumping as pioneers such as Doug E. Fresh, Slick Rick, and Big Daddy Kane grace the stage. Also in attendance will be Rob Base, Rakim, Chubb Rock, Special Ed, and Dana Dane, in what promoters are calling the “largest Old School Hip Hop show to ever rock DC,” in which “eight Kings of Hip Hop on one stage, at one time, only for one night.” As the New Year approaches, this show will be a great way to throw down the party to wind up 2011.
Starts at 8 p.m. $49.50-74.50. - Jason Walsh
DAR Constitution Hall: 1776 D. St. NW, DC; (202) 628-4780; www.dar.org/conthall

SATURDAY, DECEMBER 31
Third Eye Blind and The Dirty Heads at the Washington Hilton
The Downtown Countdown is one way to spend New Years Eve this month, with Third Eye Blind and The Dirty Hands providing music and comedians and DJs providing additional entertainment. It’s a formal promotional package event sponsored by the DC 101 rock station, with buffets and open bars. San Francisco’s Third Eye Blind formed in the early 90s age of alternative, and are best known for their hits, “Semi-Charmed Life” and “How’s It Going To Be,” as well as their six-time platinum self-titled debut. Joining in the night’s festivities is The Dirty Heads, a reggae-rock crew from Southern California’s Orange County. The Downtown Countdown is 21 and over and promises to be a choice destination for the end of the year.
Starts at 9 p.m. $129-200. - Jason Walsh
Washington Hilton Towers: 1919 Connecticut Ave. N.W., DC; (202) 483-3000; www.downtowncountdown.net

SATURDAY, DECEMBER 31
Little Feat at The Fillmore
One of the many options for New Year’s Eve this year is at the Fillmore in Silver Springs. The eclectic 70s fusion sounds of Little Feat will be hosting the party there, with rock, blues, and the funk. Formed in ‘69 by Zappa member Lowell George and keyboardist Bill Payne, the band has seen a lot of members come and go during their 70s-era career and after reforming in 1987. Payne is the only original member, but shares the stage with long-time musicians Paul Barrere, Kenny Gradney, Fred Tackett, and Sam Clayton. It’s been a few years since they dropped a record of new material but last year they did release “Rams Head Revisted,” a live CD from their 2002 performance in Annapolis. The live recording was put out on their own indie label, Hot Tomato Records. For your “end of the year” party, if you are in the mood for some grooving sounds from the 70s, Little Feat at the Fillmore might be for you.
Starts at 8 p.m. $55. - Jason Walsh
The Fillmore Silver Spring: 8656 Colesville Rd. Silver Spring, MD; 301.960.9999; fillmoresilverspring.com

THURSDAY-SATURDAY, DECEMBER 29-31
Drive By Truckers at the 9:30 Club
It may not be the biggest New Years Eve party of the year, but it could be one of the longest. Drive By Truckers are set to play three nights at the 9:30 Club with a cast of different talented musicians opening on each evening leading up to December 31. The first show on Thursday night has Lucero opening, the Memphis-based, country-blended-with-punk band who have been rolling strong since 1998. Supporting them on Friday’s show is J Roddy Walston and the Business from Baltimore, who have just released their self-titled debut on Vagrant Records, and who are no strangers to playing with the Truckers. The grand finale on Saturday sees a legend hitting the stage at the 9:30 Club. The show opens with Alabama Shakes from Athens, AL, who just released their debut E.P. this year, however sharing top billing with the Drive By Truckers, is none other than Booker T, the Grammy Award winning artist who broke onto the scene in 1962 with the instrumental album, “Green Onions,” under the name Booker T and the MGs. Hosting the three nights of fun will be the down-home alternative stylings of the Drive By Truckers. With a musical lineage that began in the 80s with the punkish collaboration, Adam’s House Cat, Drive-By Truckers began their current incarnation in the 90s. Now, some sixteen years later, the band is on the road promoting their eighth studio release, “The Big To-Do.” The Truckers combine the music that spawned below the Mason-Dixon line and influenced their childhood, with modern sensibilities. If you’re looking for your New Years party to be filled with talented and deliberate sounds, then you might want the Truckers to be your last stop for 2011.
Starts at 8 p.m. on Thursday, 9 p.m. on Friday. $35-55. - Jason Walsh
9:30 Club: 815 V. St. NW, D.C.; 202-265-0930; www.930.com

NOVEMBER MUSIC PICKS for ON TAP MAGAZINE in DC

WEDNESDAY, NOVEMBER 2
Mayhem at Sonar

One of Norway’s most notorious black metal bands will be at Sonar this November. Mayhem paved the way for the way for Scandinavian groups influenced by Slayer, Venom, and Celtic Frost, and the controversy surrounding them is legendary. The suicide of lead singer Dead in 1991 sent shock waves through the underground, when founding member Euronymous took a picture of the deceased vocalist, who took his life with a shotgun, and made it the album cover for their next record, “Dawn of the Black Hearts.” Then in 1993, Burzum bassist Varg Vikernes, who had recently joined the band, murdered Euronymous during a confrontation, stabbing him multiple times. Vikernes was sentenced to 21 years in prison, but was released on parole in 2009 after serving sixteen years. The band has also been linked to the infamous plague of church burnings across Norway during this time. The lineup has changed considerably since then, with founding bassist Necrobutcher and long-time drummer Hellhammer remaining as the only original members. This newest incarnation sees Attila Csihar on vocals and Morfeus on guitar. Joining them on this North American onslaught is Keep of Kalessin, Hate, and Abigail Williams. Alos along for the massacre is Strong Intention, Apothys, Visceral Violation, Grieve, and Throne of Carrion.
Starts at 7 p.m. $20 general admission/$50 VIP. - Jason Walsh
Sonar: 407 E. Saratoga St., Baltimore, MD; 410-783-7888;www.sonarbaltimore.com

THE MISFITS

The Misfits are back, now supporting their first record of new material in over twelve years. “The Devil’s Rain” released in October and has horror punks in a frenzy, with songs like “Land of the Dead,” “Curse of the Mummy’s Hand,” and “Ghost of Frankenstein.” Founded in Lodi, New Jersey in 1977 by Glenn Danzig, The Misfits were one of the most influential American hardcore and punk bands from the early years of the movement. In the six years of the bands existence, the lineup changed frequently with only Danzig and bassist Jerry Only remaining constant. Only’s brother Doyle replaced Bobby Steele in 1980, which made up the band’s core lineup of which most of the released material was recorded, such as “Walk Among Us” and “Earth A.D./Wolfs Blood.” Danzig went on to form Samhain in 1983 and the Misfits ceased to be, until Only and Doyle resurrected the band in 1996. Danzig refused to take part, having found success as a solo artist. They enlisted a young Michael Graves on vocals and released “Famous Monsters,” a collection of new and original songs. The new incarnation lasted until 2000, with Graves and drummer Chud quitting. Doyle left shortly after and Only restructured the Misfits again, taking on vocal duties, with Black Flag guitarist Dez Cadena. Drummers during this third version of the band included Marky Ramone, Robo from the Misfits and Black Flag, and now current percussionist Eric "Chupacabra" Arce from Murphys Law. This November, fans in the area will have two opportunities to see The Misfits with a November 3 date at the Recher Theatre and November 6 show at Jaxx. Juicehead provides the main support for this tour to promote “The Devil’s Rain,” with Singleton, Wasabi, and Chasing Morgan on the night at the Recher Theatre, and Pharmacist, Pain, Stitch The Lids, and Idol Minds opening at Jaxx.
THURSDAY, NOVEMBER 3
Starts at 6:30 p.m. $18 advance $20 day of show. - Jason Walsh
Recher Theatre: 512 York Rd. Towson, MD; 410-337-7178;
www.rechertheatre.com
SUNDAY, NOVEMBER 6
Starts at 5:30 p.m. $23 advance/$25 day of show. - Jason Walsh
Jaxx: 6355 Rolling Rd. Springfield, VA; 703-569-5940; www.jaxxroxx.com

WEDNESDAY, NOVEMBER 16
Chuck Ragan at the Red Palace
Chuch Ragan is one of many aged punk and hardcore frontmen who have found a successful outlet later in life with folk music. Ragan was best known for his time in Hot Water Music out of Gainesville, Florida. The hardcore outfit had an acoustic side project called Rumbleseat, and when the band parted ways in 2006, Ragan began his solo career, releasing his first record, “Feast or Famine” in 2007. Currently he is out on the road supporting his fourth studio release, “Covering Ground,” which dropped this year on Side One Dummy records. The new record is an ode to his transient life as a balladeer, and Ragan will be covering ground on this tour.
Starts at 7 p.m. $10 advance/$12 day of show- Jason Walsh
The Red Palace: 1212 H St. NE, D.C.; 202-399-320; redpalacedc.com

FRIDAY, NOVEMBER 4
Scratch Acid and Kepone at the 9:30 Club
Austin’s Scratch Acid have reunited for their first tour since 1987. The noise punk blasters were among the early acts in the 80s to arise in the punk and hardcore scene. They were a steady lineup from ‘82-’87, and went on to different musical paths, with members going on to the Jesus Lizard, Ministry, Rapeman, and the Big Boys. In 2006, there was a brief reunion, with three shows in Austin, Chicago, and Seattle, but this marks the first full tour for the band. They influenced a number of underground bands, including Kurt Cobain, and there is limited amount of material recorded from their early days on the labels Rabid Cat and Touch and Go Records. Opening for Scratch Acid is Kepone, a heavy 90s indie band from Richmond, who have also just recently reunited, comprised of former members of Gwar, Holy Rollers, Eek-A-Mouse, and Burma Jam.
Starts at 7 p.m. $25. - Jason Walsh
9:30 Club: 815 V. St. NW, D.C.; 202-265-0930; www.930.com

SATURDAY, NOVEMBER 5
Enter the Haggis and Scythian at Recher Theatre
It will be a night of great Celtic rock at the Recher Theatre this November. Enter the Haggis have returned stateside and will be sharing the stage with DC’s own Scythian. The Canadian five-piece band are based out of Toronto and have just released their seventh full-length studio album, “Whitelake.” Enter the Haggis tour relentlessly and play several of the big annual Irish festivals throughout North America. Scythian is no stranger to DC stages, having appeared frequently at the ShamrockFest since forming in 2002 and are supporting their newest offering, “American Shanty.”
Starts at 8 p.m. $15. - Jason Walsh
Recher Theatre: 512 York Rd. Towson, MD; 410-337-7178;
www.rechertheatre.com

SATURDAY, NOVEMBER 5
Fall Brawl 2011 at the Ottobar
It’s a night of some of the biggest names in hardcore at the Fall Brawl 2011 this November at the Ottobar. Leading the way are two of the biggest names from the New York Hardcore scene, Madball and Murphy’s Law. Led by frontman Freddy Cricien, Madball started as a side project for Agnostic Front’s Roger Miret and Vinnie Stigma. Miret is Cricien’s older brother and this was a way for him to get the young Freddy on stage doing what he loved. Cricien has since taken the reigns, turning Madball into one of the most important hardcore bands in modern days. Madball released “Empire” last year, the band’s eighth studio release and followup to 2007’s “Infiltrate the System.” In the annals of hardcore, Murphys Law needs no introduction. The true pioneers of NYHC, led by front man Jimmy G, Murphys Law is the band that has kept going since their early days in 1982. Their self -titled debut and “Back with a Bong” are standard in any true hardcore record collection and the always outspoken Jimmy G will be sure to give the crowd a good show. The stacked lineup includes No Redeeming Social Value from New York and Bitter End from Texas, as well as Creepout from Japan, Dead End Boys, Stout, Lifeless, and Mindset.
Starts at 5 p.m. $20. - Jason Walsh
Ottobar: 2549 N. Howard St. Baltimore, MD; 410-662-0069; www.theottobar.com

SUNDAY, NOVEMBER 6
Anthrax, Testament, Death Angel at the Fillmore
It’s not the BIG 4, but it’s still a pretty BIG 3. Anthrax has taken to the road alongside fellow head-banging pioneers Testament and Death Angel for one of the biggest metal tours of the Fall. A lot has changed for Anthrax in the last year. After flipping through three vocalists since his departure from the band in 1992, Joey Belladonna returned to the group last year and the “classic” lineup from the “Among the Living” era is back together. This year, Anthrax released their first record in eight years. “Worship Music” is the powerful return for Anthrax and the first record Belladonna has been on since 1990’s “Persistence of Time.” “I guess it’s like the old days,” Belladonna said. “And if anything, it’s even more fresh because we’re all matured, everybody’s musicianship and talent, all the achievements and the growth of being a musician has gotten way better.” Since Belladonna’s return, Anthrax has been a part of some the recent BIG 4 events, which have included Metallica, Slayer, and Megadeth. The first performance of this legendary roster was at last year’s Sonisphere in Sofia, Bulgaria where members from all the bands came on stage together to perform Diamond Head’s “Am I Evil?” Belladonna said it was an amazing experience. “You know I never thought I’d be asked to go up and sing in that setting with them, you know maybe on some other place, but even to do a song that I’ve never done before was kind of challenging. It was fun. I remember getting the email late at night, we’re riding in the bus, saying we’re going to do a song together, so learn a section, and there we went, you know. It was really very cool, you know. I’m glad to be a part of it. I hope we can do it again maybe.” Testament is one of the more renown 80s thrash bands to come from the Bay Area metal scene and they have remained together consistently through the years with numerous lineup changes. Their tenth studio record, “The Dark Roots of Earth” releases next year. Rounding out the bill is Death Angel who also spawned from the Bay area with their lightning fast guitar lines. They are still on the road supporting last year’s “Relentless Retribution.” For a show with some of the great originators in thrash metal history, this is a show no head banger will want to miss.
Starts at 7 p.m. $30. - Jason Walsh
The Fillmore Silver Spring: 8656 Colesville Rd. Silver Spring, MD; 301.960.9999; fillmoresilverspring.com

WEDNESDAY, NOVEMBER 9
Everlast at Recher Theatre
Whitey Ford is back. Former House of Pain MC Everlast has a new solo record out, “Songs of the Ungrateful Living.” The Grammy-Award winning rapper had a resurgence in 1998 with the two-time platinum “Whitey Ford Sings the Blues,” which dropped the hits “What it’s Like” and “Ends” to an unsuspecting public that had no idea that Erik “Everlast” Schrody could play guitar. The followup, “Eat at Whitey’s” was also well received and went gold. In recent times, Everlast has been linked to the La Coka Nostra crew and was apparently involved in a street racing incident with Justin Bieber this past August, in which Bieber crashed his Ferrari. Who would have thought?
Starts at 7 p.m. $12 advance $15 day of show. - Jason Walsh
Recher Theatre: 512 York Rd. Towson, MD; 410-337-7178;
www.rechertheatre.com


THURSDAY, NOVEMBER 10
Jason Bonham’s Led Zeppelin Experience at the Fillmore
The son of legendary Led Zeppelin drummer John Bonham is taking his father’s music to big venues across the U.S. Dubbed Jason Bonham’s Led Zeppelin Experience, Bonham will be performing all the great hits from his dad’s band, that were the masterwork of Jimmy Page, Robert Plant, and John Paul Jones. Bonham played drums with Zeppelin at the 2007 reunion at London’s O2 arena and this newest incarnation is an homage to his dad, but the rest of the band as well. Aside from the great music from one of the most legendary 70s rock bands, the performance will be a visual experience, including archived video from Zeppelin and surely some laser lights. Bonham has assembled and all-star band for this tribute to his father and his mates and any Zeppelin fan won’t want to miss this one.
Starts at 8 p.m. $35-125. - Jason Walsh
The Fillmore Silver Spring: 8656 Colesville Rd. Silver Spring, MD; 301.960.9999; fillmoresilverspring.com

FRIDAY, NOVEMBER 11
Foo Fighters, Social Distortion, and the Joy Formidable at Verizon Center
Dave Grohl is a very busy guy, and currently he is back on the road with his band the Foo Fighters. Grohl, once drummer for Nirvana and founder of the Foo Fighters, is always bouncing around between projects and this tour supports their newest and seventh studio release, “Wasting Light,” which Grohl has called their “heaviest album yet.” The single “Rope” preceded the album’s April release date, and since fans have heard three other rocking singles, “Walk,” “Arlandria,” and “These Days.” Unlike some of the more polished Foo Fighter records, “Wasting Light” was recorded in Grohl’s garage. “There's poetry in being the band that can sell out Wembley but also makes a record in a garage,” Grohl said. Grohl started the Foo Fighters in 1994 following the suicide of Nirvana’s Kurt Cobain. Aside from the Foo Fighters, he has worked on side projects like Probot, Them Crooked Vultures with Led Zeppelin’s John Paul Jones, and Queens of the Stone Age and has done session work with Nine Inch Nails, Killing Joke, and The Prodigy. Also on the night’s marquee at the Verizon Center is Social Distortion. Led by Mike Ness, the original L.A. punk scene group has transformed over the decades, with a more rockabilly influence in recent times. “Mommys Little Monster” may be their classic contribution to the early punk movement, but it was the more commercially accepted “Somewhere Between Heaven and Hell” that brought them notoriety, most notably from the success of the hit “Ball and Chain.” Social D’s newest record, “Hard Times and Nursery Rhymes,” released in January on Epitaph records, their first release of new material since 2004’s “Sex, Love, and Rock 'n Roll.” Rounding out the night of music at the Verizon is Joy Formidable, an Alt-rock trio from England, who have just released theur first record, “The Big Roar,” on Atlantic Records.
Starts at 7 p.m. $37.50-$57.50. - Jason Walsh
Verizon Center: 601 F. St. NW, D.C.; 202-628-3200; www.verizoncenter.com

SUNDAY, NOVEMBER 20
Agnostic Front, The Mongoloids, and Naysayer at the Ottobar
Bet the Devil and Behind the Masses
The godfathers of hardcore are coming around again, this time with their newest collection of old school New York Hard Core anthems. “My Life My Way” was released on Nuclear Blast records in March and is a record of all new material from founding members Roger Miret and Vinnie Stigma, and the producing credits go to Miret’s brother Freddy Cricien of Madball. The Lower East Side Crew has been paving the way in hardcore since their early beginnings three decades ago in the NYHC underground, changing the sound of hardcore in the era of Sunday Matinees at CBGB’s. This followup to 2007’s “Warriors” is a classic example of why Agnostic Front has had such a successful longevity in the hardcore scene. Hundreds of HC bands have been influenced by Agnostic Front, who brought unity and pride into their scene which is rooted deeply amongst the five boroughs. On the tour with AF are the Mongoloids and Naysayer, and opening acts include Bet the Devil and Behind the Masses at this Ottobar hardcore event.
Starts at 7 p.m. $15. - Jason Walsh
Ottobar: 2549 N. Howard St. Baltimore, MD; 410-662-0069; www.theottobar.com

SUNDAY, NOVEMBER 20
Chimaira, Unearth, Skeletonwitch, and Molotov Solution at Jaxx
This will be a night of very heavy music. Headlining this head pounding evening is Chimaira from Cleveland. Started in 1998 by founding guitarist Jason Hager and vocalist Mark Hunter, Chimaira has evolved over the past thirteen years, with some lineup changes and six studio records, including 2011’s “The Age of Hell.” Sharing top billing is Unearth, a metal core band from Massachusetts, who are promoting their newest record as well. “Darkness in the Light” is Unearth’s fifth studio release and hit stores this past summer. Skeletonwitch is an extreme thrash metal band from Athens, Ohio, who also have a new record, “Forever Abomination.” Rounding out the bill of heavy-hitting outfits is Molotov Solution, a deathcore crew from Las Vegas. It you like it heavy, loud, and painful, then this lineup at Jaxx is for you.
Starts at 5 p.m. $18 advance/$20 day of show. - Jason Walsh
Jaxx: 6355 Rolling Rd. Springfield, VA; 703-569-5940; www.jaxxroxx.com

MONDAY, NOVEMBER 21
The Smoker’s Club Tour Part Deaux 2011 at the 9:30 Club
The Smoker’s Club Tour Part Deaux 2011is the return of Method Man and crew to share their two favorite things with audiences: music and medicinal marijuana. The Smoker’s Club started in 2010 by the like-minded weed connoisseurs that included founders Jonny Shipes, Shiest Bubz, Steve-O, and Smoke DZA. The crew decided to take the music to the streets in an event that would celebrate their favorite hobby. They had a successful tour run last year as well as a performance at SXSW, and decided to hit the road again with the extended family. This 2011 tour includes Method Man at the helm, alongside rappers Big K.R.I.T., Curren$y Spitta, Smoke DZA and The Pricks. “I grew up off High Times and there was the ‘Up In Smoke Tour,’ which I used to go to when I was a kid,” said founder Jonny Shipes. “I loved Snoop, Cypress, Redman, et cetera. Now, you have us and we’re just an extension of what we grew up on. We’re basically taking our lifestyle on the road to party with our supporters.” This 35 city run winds its way into DC this November, so be sure to make sure your lighter is working.
Starts at 7 p.m. $35. - Jason Walsh
9:30 Club: 815 V. St. NW, D.C.; 202-265-0930; www.930.com

SUNDAY, NOVEMBER 27
Mastodon, Dillinger Escape Plan, and Red Fang at the 9:30 Club
The heavy sludge metal madmen from Atlanta are on tour with their fifth studio record, “The Hunter.” The stoner rock outfit have been a popular touring act since their 200 debut, “Remission,” harkening back to the days of Black Sabbath and Thin Lizzy, as well as more modern groups like Neurosis and the Melvins. Sharing the bill with Mastodon is Dillinger Escape Plan, the mathcore shredders from New Jersey who are still supporting last year’s “Optiion Paralysis” from last year. Opening the night’s show is metal band Red Fang from Portland, Oregon.
Starts at 6:30 p.m. $30. - Jason Walsh
9:30 Club: 815 V. St. NW, D.C.; 202-265-0930; www.930.com