by
Jason Walsh
published
in ON TAP Magazine, Washington D.C.
The
life of a musician can be a hard road, along which many have found
themselves playing for change just to survive. The street musician is
a mythic figure, regarded both high and low, and represents the
unique and individual cultures from which their songs originate. It
took the pairing of a Grammy-award-winning engineer with a
documentary filmmaker, and the desire to capture the sounds from the
streets to bring the music of the world together. This was how
Playing for Change began.
“Music
has always inspired me in many ways throughout my life,” filmmaker
Jonathan Walls said. “I’m fascinated at the complex, yet simple
divinity it has.”
Walls
combined with Playing for Change creator Mark Johnson when they
collaborated on their first film, “Playing for Change: A Cinematic
Discovery of Street Music.” Where this first outing documented the
sounds of the street in America, their second would serve to bring
the music of the world together. “Playing for Change: Peace Through
Music” saw Johnson and Walls traversing the continents, gathering
sound and film elements from all corners of the globe. The
inspiration came from a random, chance encounter by Johnson in New
York City.
“About
ten years ago, I was headed to work one morning,” Johnson said.
And, while in the subway, I witnessed a musical performance of two
monks painted all in white from head to toe. They were wearing brown
robes, and one of them was singing in a foreign language while the
other man played a nylon guitar. I remember seeing about 200 people,
of different cultures, races, and genders, stop and listen to the
music. Everyone was so moved by the performance even though I can’t
imagine any of us knew what they were singing about. It occurred to
me that there existed in this moment in time, a strong sense of human
connection and the ability to overcome our differences as people. I
decided right then and there that music is the key to a better world.
I also realized it was my calling to go out and find as many of these
inspiring human moments as possible.”
Their
third outing, a CD/DVD release called “Songs Around the World”
saw them take the music of nearly 40 different musicians from
different nations and mix them into the one singular standard, “Stand
By Me.” Started off with street musician Roger Ridley in Santa
Monica, the song fades in local New Orleans icon Grandpa Elliott, and
then to Clarence Bekker in Amsterdam, fused with the instruments of
more than three dozen musicians from as many countries: Spain,
Venezuela, the Congo, Ghana, South Africa, Brazil, France, Russia,
Italy, and more. The video had counters spinning on You Tube, as more
than 30-million viewers saw the ultimate worldwide jam of like-minded
performers who had never met.
“The
idea for this project arose from a common belief that music has the
power to break down boundaries and overcome distances between
people,” Johnson said. “No matter whether people come from
different geographic, political, economic, spiritual, or ideological
backgrounds, music has the universal power to transcend and unite us
as one human race. And with this truth firmly fixed in our minds, we
set out to share it with the world.”
“Playing
for Change: Songs Around the World” debuted at #10 on the Billboard
Top 200 Pop Chart selling twenty-six thousand copies in its first
week. With the success the films and music releases of the Playing
for Change project have had, Johnson and Walls decided to bring the
music they’ve gathered together to the stage for a tour that will
showcase nine of the main participants.
“I’m
super excited about our upcoming Playing for Change tour,” Walls
said. “It’s always a treat and an absolute blast to get the band
as well as our crew together and share our passion and music to
audiences. When our ‘family’ is together doing what we all do
best, beautiful moments unfold, and the inspirational energy is
transferred.”
The
North American tour will hit 22 cities with the Playing for Change
band, featuring Grandpa Elliott from New Orelans, Clarence Bekker
from the Netherlands, Mermans Kenkosenki and Jason Tamba from the
Congo, as well as other jammers from Venezuela, Ghana, and Zimbabwe.
The first show of the tour kicks off in Alexandria on Tuesday,
October 20 at the Birchmere. Walls said there were some positive
events ahead along the road, as they have created a foundation where
the music can help give back.
“We
are excited to be kicking off the tour at the Birchmere,” he said.
“We do have a special benefit show for the Playing for Change
Foundation in Los Angeles. These events are always special because
they are benefiting the youth of our world, giving them opportunities
to become empowered and inspired through music at the Playing for
Change Music Schools we are building around the world.”
This
program was their way of giving back to the communities from where
they had found the performers who had shared their music. It was
further justification to them that the power of the song can bring
change.
“Over
the course of this project, we decided it was not enough for our crew
just to record and share this music with the world,” Johnson said,
“We wanted to create a way to give back to the musicians and their
communities that had shared so much with us. Now, musicians from all
over the world are brought together to perform benefit concerts that
build music and art schools in communities that are in need of
inspiration and hope. When audiences see and hear musicians who have
traveled thousands of miles from their homes, united in purpose and
chorus on one stage, everyone is touched by music's unifying power.”
Walls
agreed that what first began as an assignment, has changed his life
forever.
“While
filming all over the world and experiencing an assortment of
cultures, beliefs and dreams, I've realized a tremendous amount about
humanity and the commonality our human race has. At the same time,
I've learned more about our differences, giving me an opportunity to
further understand each other on a deeper level, thus allowing myself
to blossom toward not only a personal peace, but an ambassador toward
global peace. And, our path was music.”
The
Birchmere
Tuesday,
Oct. 20
3701 Mt. Vernon Ave, Alexandria, VA 22305
3701 Mt. Vernon Ave, Alexandria, VA 22305
703-549-7500
http://www.birchmere.com/
$49.50
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